One of our records of 2023.
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The legendary DG Avantgarde vinyl series (1968-1971) is turning 55! In order to celebrate this occasion, the series is now released on 21 CDs for the first time. The Avantgarde series serves as a historical document for a time of radical change in musical thinking and the breaking of artistic boundaries. The question "What is music?" confronted many of the composers and musicians involved in the series, and the anti-authoritarian spirit of the 1960s and 1970s was a palpable influence. Deutsche Grammophon's Avantgarde Series reflects all the currents that thus arose, without aesthetic demarcations and across genres and instrumentations: large orchestral works stand alongside chamber music and solo forms, electronic music and improvisations.
The edition is presented in its original colourful designs by renowned graphic designer Holger Matthies, accompanied by a 186-page booklet with original commentaries (available in English & German) by composers and experts as well as photos of the artists from the DG archive. Highlights include canon works by György Ligeti such as his choral work "Lux aeterna," Luciano Berio's "Sequenza V" with Vinko Globokar on trombone, a simultaneous recording of three works by John Cage, and some groundbreaking and monumental electronic works such as Luigi Nono's "Contrappunto dialettico alla mente" and Leo Küpper's "Automatismes sonores."
Tracklist:
CD 1
WITOLD LUTOSŁAWSKI: String Quartet
KRZYSZTOF PENDERECKI: Quartetto per archi
TOSHIRO MAYUZUMI: Prelude for String Quartet
CD 2
MAURICIO KAGEL: Phantasie für Orgel mit Obbligati
JUAN ALLENDE-BLIN: Sonorités
GYÖRGY LIGETI: Volumina
Etüde Nr. 1 (»Harmonies«)
CD 3
DAVID BEDFORD: 2 Poems for Chorus on Words by Kenneth Patchen
GYÖRGY LIGETI: Lux aeterna
ARNE MELLNÄS: Succsim
MAREK KOPELENT: Matka
CD 4
VINKO GLOBOKAR: 1-5 Discours II
LUCIANO BERIO: Sequenza V
KARLHEINZ STOCKHAUSEN: Solo für Melodie-Instrument mit Rückkopplung
CARLOS ROQUÉ ALSINA: Consecuenza op. 17
CD 5
MAURICIO KAGEL: Match für 3 Spieler
Musik für Renaissance-Instrumente
CD 6
IMPROVISATIONEN: »... e poi?«
Quasiraga
Light Music
Ancora un trio
Credo
CD 7
BERND ALOIS ZIMMERMANN: Présence
Intercomunicazione
CD 8
JOHN CAGE: Atlas Eclipticalis & Winter Music
electronically amplified after Cartridge Music
DIETER SCHNEBEL: Glossolalie
CD 9
MAURICIO KAGEL: Hallelujah
DIETER SCHNEBEL: für stimmen (... missa est)
CD 10
GOTTFRIED MICHAEL KOENIG: Terminus II
Funktion Grün
ZOLTÁN PONGRÁCZ: Phonothese
RAINER RIEHN: Chants de Maldoror
CD 11
MAURICIO KAGEL: Der Schall
CD 12
GYÖRGY LIGETI: String Quartet No. 2
EARLE BROWN: String Quartet
WOLF ROSENBERG: String Quartet No. 3
CD 13
LUC FERRARI: Presque rien No 1
Société II
CD 14
LUKAS FOSS: Paradigm (“for my friends”)
LEJAREN HILLER: Algorithms I, Version I
Algorithms I, Version IV
ELLIOTT SCHWARTZ: Signals
CD 15
ROLAND KAYN: Cybernetics III
LUIGI NONO: Contrappunto dialettico alla mente
CD 16
FRANCO EVANGELISTI: Die Schachtel
HEINZ HOLLIGER: Der magische Tänzer
CD 17
CORNELIUS CARDEW: The Great Learning
CD 18
ROMAN HAUBENSTOCK-RAMATI: Symphonie “K”
VINKO GLOBOKAR: Étude pour Folklora II
CD 19
HEINZ HOLLIGER: Siebengesang
KARLHEINZ STOCKHAUSEN: Spiral
CD 20
SYLVANO BUSSOTTI: Cinque frammenti all’Italia
NICOLAUS A. HUBER: Versuch über Sprache
CD 21
LEO KÜPPER: L’enclume des forces
Électro-poème
Automatismes sonores
CD1: Recording Berlin, UFA Studio, 12/1967 CD2: Recording Hamburg-Wellingsbüttel, Lutherkirche, 4/1968 CD3: Recording Hamburg-Rahlstedt, 4-5/1968 CD4: Recording Berlin, UFA Studio, 6/1968 CD5: Recording Godorf near Cologne, Studio Rhenus, 4/1967 (Musik für Renaissance-Instrumente) & 6/1968 (Match) CD6: Recording Rome, Studio R7 & Laboratorio Elettronico di musica sperimentale, 2/1969 CD7: Recording Munich, 5/1969 CD8: Recording Hilversum, Phonogram-Studio, 5/1969 (Cage); Cologne,…
| String Quartet | |||
| 1-1 | Introductory Movement | 8:30 | |
| 1-2 | Main Movement | 15:08 | |
| 1-3 | Quartetto Per Archi | 6:56 | |
| 1-4 | Prelude For String Quartet | 11:03 | |
| Phantasie Für Orgel Mit Obbligati | |||
| 2-1 | I | 9:48 | |
| 2-2 | II | 2:29 | |
| 2-3 | III | 1:52 | |
| 2-4 | Sonorités | 8:22 | |
| Volumina | |||
| 2-5 | I | 7:45 | |
| 2-6 | II | 9:38 | |
| 2-7 | Etüde Nr. 1 (»Harmonies«) | 9:08 | |
| Two Poems For Chorus On Words By Kenneth Patchen | |||
| 3-1 | 1. O Now The Drenched Land Wakes | 4:32 | |
| 3-2 | 2. The Great Birds | 8:37 | |
| 3-3 | Lux Aeterna (For 16-voice A Cappella Mixed Chorus) | 7:59 | |
| 3-4 | Succsim (For A Cappella Mixed Chorus) | 6:51 | |
| Matka (Fresco For Mixed Chorus And Solo Flute) | |||
| 3-5 | I | 5:01 | |
| 3-6 | II | 2:26 | |
| 3-7 | III | 3:01 | |
| Discours II (For 5 Trombones) | |||
| 4-1 | I | 2:14 | |
| 4-2 | II | 3:39 | |
| 4-3 | III | 1:20 | |
| 4-4 | IV | 1:36 | |
| 4-5 | V | 6:01 | |
| 4-6 | Sequenza V (For Trombone Solo) | 6:57 | |
| Solo Für Melodie-Instrument Mit Rückkopplung | |||
| 4-7 | I | 9:20 | |
| 4-8 | II | 8:18 | |
| Consecuenza Op. 17 (For Trombone Solo) | |||
| 4-9 | I | 1:41 | |
| 4-10 | II | 2:57 | |
| 4-11 | III | 5:20 | |
| Match Für 3 Spieler | |||
| 5-1 | I | 4:41 | |
| 5-2 | II | 4:07 | |
| 5-3 | III | 1:23 | |
| 5-4 | IV | 2:28 | |
| 5-5 | V | 2:16 | |
| 5-6 | VI | 1:51 | |
| Musik Für Renaissance-Instrumente | |||
| 5-7 | A | 4:05 | |
| 5-8 | B | 4:38 | |
| 5-9 | C | 4:28 | |
| 5-10 | E-G | 3:59 | |
| 5-11 | H-I | 3:09 | |
| 5-12 | J | 0:59 | |
| 5-13 | K | 3:50 | |
| «... e poi?» | |||
| 6-1 | I | 2:30 | |
| 6-2 | II | 8:24 | |
| 6-3 | III | 3:07 | |
| 6-4 | IV | 4:02 | |
| 6-5 | V | 5:41 | |
| 6-6 | Quasiraga | 6:23 | |
| 6-7 | Light Music | 7:02 | |
| 6-8 | Ancora Un Trio | 3:27 | |
| 6-9 | Credo | 7:37 | |
| Présence (Ballet Blanc En 5 Scènes Pour Violon, Violoncelle Et Piano) | |||
| 7-1 | Scène I: Introduction Et Pas D'action (Don Quichotte) | 3:35 | |
| 7-2 | Scène II: Pas De Deux (Don Quichotte Et Ubu) | 2:54 | |
| 7-3 | Scène II: Solo (Pas D'Ubu) | 5:00 | |
| 7-4 | Scène IV: Pas De Deux (Molly Bloom Et Don Quichotte) | 4:29 | |
| 7-5 | Scène V: Pas D'action (Molly Bloom) | 9:50 | |
| Intercomunicazione | |||
| 7-6 | I | 4:19 | |
| 7-7 | II | 3:28 | |
| 7-8 | III | 2:39 | |
| 7-9 | IV | 1:41 | |
| 7-10 | V | 2:32 | |
| 7-11 | VI | 3:12 | |
| 7-12 | VII | 1:39 | |
| 7-13 | VIII | 1:28 | |
| 8-1 | Atlas Eclipticalis & Winter Music (Electronically Amplified After Cartridge Music) | 30:05 | |
| Glossolalie | |||
| 8-2 | Introduktion Und Teil I | 8:23 | |
| 8-3 | Teil II | 13:59 | |
| 8-4 | Teil III | 1:41 | |
| 8-5 | Teil IV Mit Epilog - Coda | 9:04 | |
| Hallelujah (For 16 Solo Voices A Cappella) | |||
| 9-1 | I | 5:56 | |
| 9-2 | II | 5:44 | |
| 9-3 | III | 3:53 | |
| 9-4 | IV | 5:35 | |
| 9-5 | V | 3:56 | |
| 9-6 | VI | 3:26 | |
| Für Stimmen (... Missa est) | |||
| 9-7 | 1. dt 31,6 Für 12 Gruppen Von Vokalisten | 4:52 | |
| 9-8 | 2. AMN Für 7 Gruppen Von Vokalisten (Sprechchor) | 15:14 | |
| 9-9 | 3. :! (Madrasha II) Für 3 Chorgruppen | 8:46 | |
| Terminus II | |||
| 10-1 | I | 1:34 | |
| 10-2 | II | 3:39 | |
| 10-3 | III | 5:28 | |
| 10-4 | IV | 3:57 | |
| 10-5 | V | 2:20 | |
| 10-6 | VI | 2:28 | |
| 10-7 | Funktion Grün | 8:18 | |
| 10-8 | Phonothese | 3:34 | |
| Chants De Maldoror (Rev. Version 1968/69) | |||
| 10-9 | I | 5:44 | |
| 10-10 | II | 4:16 | |
| 10-11 | III | 6:36 | |
| 10-12 | IV | 4:30 | |
| 10-13 | V | 5:26 | |
| Der Schall (For 5 Players With 54 Instruments) | |||
| 11-1 | Part I | 14:20 | |
| 11-2 | Part II | 23:06 | |
| String Quartet No. 2 | |||
| 12-1 | Allegro Nervoso | 5:15 | |
| 12-2 | Sostenuto, Molto Calmo | 4:57 | |
| 12-3 | Come Un Meccanismo Di Precisione | 3:08 | |
| 12-4 | Presto Furioso, Brutale, Tumultuoso | 2:01 | |
| 12-5 | Allegro Con Delicatezza - Stets Sehr Mild | 5:35 | |
| String Quartet | |||
| 12-6 | I | 7:28 | |
| 12-7 | II | 2:22 | |
| String Quartet No. 3 | |||
| 12-8 | I | 3:03 | |
| 12-9 | II | 7:48 | |
| 13-1 | Presque Rien N°1 (Le Lever Du Jour Au Bord De La Mer) | 20:47 | |
| Société II (Et Si Le Piano Était Un Corps De Femme) | |||
| 13-2 | I | 5:54 | |
| 13-3 | II | 2:11 | |
| 13-4 | III | 3:31 | |
| 13-5 | IV | 5:21 | |
| 13-6 | V | 3:41 | |
| 13-7 | VI | 3:44 | |
| 13-8 | VII | 3:10 | |
| Paradigm ("For My Friends") | |||
| 14-1 | 1. Session | 4:24 | |
| 14-2 | 2. Reading | 3:13 | |
| 14-3 | 3. Recital | 2:44 | |
| 14-4 | 4. Lecture Part I | 1:54 | |
| 14-5 | Part II | 3:32 | |
| 14-6 | Part III | 2:03 | |
| Algorithms I, Version I | |||
| 14-7 | 1. The Decay Of Information | 2:05 | |
| 14-8 | 2. Icosahedron | 3:08 | |
| 14-9 | 3. The Incorporation Of Constraints | 4:03 | |
| Algorithms I, Version IV | |||
| 14-10 | 1. The Decays Of Information | 2:07 | |
| 14-11 | 2. Icosahedron | 3:09 | |
| 14-12 | 3. The Incorporation Of Constraints | 4:09 | |
| 14-13 | Signals | 9:38 | |
| Cybernetics III | |||
| 15-1 | I | 9:02 | |
| 15-2 | II | 13:56 | |
| Contrappunto Dialettico Alla Mente | |||
| 15-3 | 1. Il Diletto Delitto Moderno | 4:59 | |
| 15-4 | 2a. Mascherata Dei Vecchietti | 3:52 | |
| 15-5 | 2b. Interludio Dei Venditori Di Soffio | 1:14 | |
| 15-6 | 3. I Cervellini Cantano Un Madrigale | 4:31 | |
| 15-7 | 4. Lo Zio Sam Racconta Una Novella | 3:52 | |
| 15-8 | (Ripresa:) Il Diletto Delitto Moderno | 1:24 | |
| Die Schachtel | |||
| 16-1 | Struttura 1-2: A) Società Come Platea Indifferenziata, Placidità Del Proprio Posto, Stimoli Standard, Reazioni Comuni Equicontrollate. | 6:33 | |
| 16-2 | Struttura 3: B) Le Reazioni Liberatrici: 1. La Reazione Intersoggettiva, O Momento Della Libertà Individuale (Emulazione Automobilistica, Duscorso Sulla Personlità) | 5:28 | |
| 16-3 | Struttura 4: B) Le Reazioni Liberatrici: 2. La Nevrosi Come Evasione Accettabile | 5:35 | |
| 16-4 | Struttura 5: B) Le Reazioni Liberatrici: 3. L'evasione Lirica. Ballata Della Rosa | 3:31 | |
| 16-5 | Struttura 6: B) Le Reazioni Liberatrici: 4. La Reazione Come Risposta Della Psicologia Collettiva | 5:37 | |
| 16-6 | Struttura 7: C) Finale: Glorificazione Del Sistema Immedesimazione Nel Sistema Del Minimo Sforzo | 3:04 | |
| 16-7 | Struttura 8: Crollo Della Scatola | 1:14 | |
| Der Magische Tänzer | |||
| 16-8 | Vorspiel | 1:25 | |
| 16-9 | 1. Szene »Solch Ein Krach In Der Nacht« | 6:35 | |
| 16-10 | Zwischenspiel | 3:05 | |
| 16-11 | 2. Szene »Befühle Mich - Ganz Aus Magie Gemacht« | 1:29 | |
| 16-12 | »Ziehe Den Zipfel Des Meeres An Dein Ohr« | 7:02 | |
| 16-13 | »Lass Das Spielen, Rühre Nicht An Die Gestirne« | 3:59 | |
| 16-14 | »Wo Werden Die Toten Lebendig?« | 3:00 | |
| 16-15 | »Ich Schnüre Die Schnüre Auf« | 1:10 | |
| 16-16 | »Watete Durch Die Meere Oklahoma« | 3:42 | |
| The Great Learning | |||
| 17-1 | Paragraph 2 | 21:53 | |
| 17-2 | Paragraph 7 | 20:27 | |
| Symphonie »K« | |||
| 18-1 | I | 7:29 | |
| 18-2 | II | 1:50 | |
| 18-3 | III | 6:15 | |
| Étude Pour Folklora II (Climats 1-6) | |||
| 18-4 | I | 4:01 | |
| 18-5 | II | 6:56 | |
| 18-6 | III | 5:54 | |
| 18-7 | IV | 4:01 | |
| Siebengesang | |||
| 19-1 | Liberamente | 2:09 | |
| 19-2 | Agitato | 2:32 | |
| 19-3 | Molto Liberamente | 2:02 | |
| 19-4 | Rubato Sempre | 2:11 | |
| 19-5 | Quarter = 72 | 1:00 | |
| 19-6 | Oboe Solo (Poco A Poco Crescendo) | 0:48 | |
| 19-7 | Molto Agitato | 1:29 | |
| 19-8 | Dolce Legatissimo | 1:36 | |
| 19-9 | Staccatissimo Sempre | 0:48 | |
| 19-10 | Quarter = 48 »Windesstille Der Seele« | 5:19 | |
| 19-11 | Poco A Poco Diminuendo | 1:13 | |
| Spiral (For A Soloist With Short-Wave Receiver) | |||
| 19-12 | I | 5:40 | |
| 19-13 | II | 3:12 | |
| 19-14 | III | 5:38 | |
| 19-15 | IV | 1:34 | |
| Cinque Frammenti All'Italia | |||
| 20-1 | 1. Ancora Odono I Colli Per Sestetto Vocale Misto | 4:54 | |
| 20-2 | 2. Solo El Misterio Per Coro Misto | 4:28 | |
| 20-3 | 3. La Curva Dell'Amore Per Sestetto Vocale Misto | 6:33 | |
| 20-4 | 4. Per Ventiquattro Voci Adulte O Bianche | 5:53 | |
| 20-5 | 5. Rar'ancora Per Sestetto Vocale Misto | 4:51 | |
| Versuch Über Sprache (For 16 Solo Voices, Hammond Organ, Double Bass And 2 Obligatory Loudspeaker Channels) | |||
| 20-6 | I | 1:02 | |
| 20-7 | II | 6:30 | |
| 20-8 | III | 10:23 | |
| 21-1 | L'enclume Des Forces | 13:02 | |
| 21-2 | Électro-poème | 6:03 | |
| Automatismes Sonores | |||
| 21-3 | I | 9:58 | |
| 21-4 | II | 5:52 | |
| 21-5 | III | 3:09 | |
| 21-6 | IV | 5:13 | |
| 21-7 | V | 1:54 | |