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Edition of 250. Melbourne-based artist Arek Gulbenkoglu presents A Gift Like A Hollow Vessel, his second full-length album for Penultimate Press. Following on from the 2017 release Three Days Afterwards (PP 029LP), A Gift Like A Hollow Vessel sees a sharper scalpel at play, resulting in a more nuanced release which unfolds a curious journey of suburban psychedelia. Material source from voice and body sounds, recording of non-musical processes, actions and events, breath, tapes of animal sounds s…
Three Days Afterwards is the fourth solo release from Arek Gulbenkoglu. Within manifests a disorientating assignment of tones, textures, and voice. Hovering around the key words below there is an unsettling psychedelic music - ready ripe and raw for the current foreboding age: Sickness; Rooms; FM synthesis; The fickle; Objects; Rituals; Armenia; Vibrations; The inconsequential; Three days afterwards; Arek Gulbenkoglu. Mastered by Joe Talia. Artwork concept by Arek Gulbenkoglu; Layout by Ma…
In the follow-up to The Reoccurrence (2015), Arek Gulbenkoglu presents End-music: a series of insular sonic imprints via use of tape detritus, voice and abused electronics. End-music continues Gulbenkoglu’s fascination with sound at its most elemental level and comprises three sculptural pieces in which textures are examined from different angles, and threads are pulled bare. This is a transparent and tactile music that accumulates, shifts and contorts.
The Reoccurrence' represents Arek Gulbenkoglu's first solo full length release in almost ten years following 'Points Alone' (Impermanent Recordings, 2005). Arek is a Melbourne-based musician who has collaborated with artists such as Adam Sussmann, Dale Gorfinkel, Will Guthrie and was formerly a member of Dworzec. 'The Reoccurrence' involves a rigorous process of observation, intervention and documentation of different environments, where notions of instrumental virtuosity and extended technique…