In the follow-up to The Reoccurrence (2015), Arek Gulbenkoglu presents End-music: a series of insular sonic imprints via use of tape detritus, voice and abused electronics. End-music continues Gulbenkoglu’s fascination with sound at its most elemental level and comprises three sculptural pieces in which textures are examined from different angles, and threads are pulled bare. This is a transparent and tactile music that accumulates, shifts and contorts.