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The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. eastern, improvised vs. through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says: “Musically, Frances and I came from two distinct sets of emphase…