Beth Anderson
I Can’t Stand It
Private press sound poet brings drum my tantrums raps, yoga punk and high octane inventions to late 70s New York. Finally captured on Vinyl for this unique sound collection by Beth Anderson.
The 12th Annual International Sound Poetry Festival
*Last copies, almost sold out at the label. Limited edition of 200 hand-numbered copies.* After years of preparation, Recital is proud to present The 12th Annual International Sound Poetry Festival box set. Held in New York in 1980, this was the last festival of the pioneering sound poetry series started in Stockholm in the 1960s. This ambitious document holds nearly five hours of audio from 30 artists. A 240-page book with biographies, texts, and artwork from each artist supplements the edition…
Namely
If an artists’ work is a composite of influences from others, Beth Anderson’s Namely inverts that notion, creating a work from the names themselves of her influencers. The album consists of 65 short pieces, each using the name of one of Anderson’s varied influences as source material. Anderson applies a generative procedure to each name to create a text-sound poem that is performed as a vocal piece by the composer.
The collection of names reveals the intermedia nature of Anderson’s work — from t…
Peachy Keen-O
This CD has pieces with an auctioneer, a Kentucky farm with birds & clover, a jazz dancer, a quivering, vibrating, sexually tinged piece full of women saying supplication, a saint dying in flames, a drum piece about frustration, mother/daughter miscommunication, a pipe organ, and punk rap with overtones of yoga. Many of Beth Anderson's compositions from 1973-1979 use words or parts of words to make either all or part of the music. Sometimes the music is derived from the words. Some of it is cons…