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Nine – for John Cage (2010) by Zeirkratzer with Reinhold Friedl (inside piano), Frank Gratkowski (bass clarinet), Hilary Jeffery (trombone), Hild Sofie Tafjord (horn), Burkhard Schlothauer (violin), Anton Lukoszevieze (cello), Ullrich Philipp (double bass), Marc Weiser (electric guitar), Christian Lillinger (percussion). The well-known Zagreb music biennale, which has been a hotspot for contemporary music for more than 30 years, asked Reinhold Friedl, musical director of Zeitkratzer, to perform …
Antoine Beuger (flute), Christoph Nicolaus (stone harp), Burkhard Schlothauer (trumpet, bass drum). Before starting the event series in 1995, I had been occupying myself with nonrepresentational minimalist painting, in which, rather than representing anything from the objective world, the artwork itself becomes an entity, an object of the world. Would it be possible to realize such a degree of abstraction in music? In this series of compositions for solo instruments each sound by itself is c…
“select a sound of one or three tones within the range of an octave distribute the pitches between the keyboards (use each pitch only once) select 3 – 31 stops from principals, flutes and reeds and distribute them evenly between the keyboards (do not use mixtures) play the pitches and hold the keys down (e.g. with lead weights) push the stop very slowly until you hear a change – then stop the movement, listen for a while and pull another register in the same way for a long time, only t…
Seven (1988), 15 similar events (2002) Let’s assume, that art music as a field of creative cognitive activity is interrelated with the scientific paradigm and that its structure, therefore, at least partially reflects the contemporary way of looking at the world. The essential paradigmatic elements of the early 21st century would then entail all kinds of demands on music. Having lost certainties, for example, the issue of probabilities should be broached. Fields of possibilities should be desi…