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* Edition of 150 * The fourth album in 20 years from the Schnee duo of guitarist Burkhard Stangl (efzeg, Polwechsel) and Christof Kurzmann performing on lloop, voice and "ruber bands", creating music for films that have not yet been created through intensely moody electroacoustic environments, Kurzmann's voice sometimes guiding the narrative of their visionary sound. " "I love plainness in colour, monotony, snow is rather a monotonous tune. Why should colour not give an impression of singing? W…
Burkhard Stangl and dieb13 live and work in Vienna, both being long time protagonists of the local scene as well as travelling and collaborating with musicians from all over the planet. Many of those collaborations and connections have been documented on the double-CD compilation klingt.org: 10 Jahre Bessere Farben [mikroton cd 5 | 6] commemorating the first ten years of existence of named online platform, which was founded and is since being run by dieb13.Burkhard Stangl needs no further introd…
12 short live solo guitar, like a portrait of the Austrian musician at a time of his course, oscillating between minimalism, American primitive, improvisation or noise. Guitar’s lover will be pleased.Some tracks with field recordings from Steve Bates.Mastered by Martin Siewert.
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
Much time has passed since the release of "Can't Illumination" in 2003, and Anna Zaradny and Burkhard Stangl meet yet again, now on each side of a vinyl record on the Bocian Records label. There were, however, many various encounters in various circumstances in between those two official events, and one of them is shown in the photos on the cover. This is hardly a chance meeting as the two compositions have more in common than it might seem at first sight. Take the misguiding beginnings, f…
One of the central aesthetics of the Erstwhile label is the counterpositioning of electronic and acoustic improvisers. Rarely has that been more starkly, and beautifully, achieved than on the opening and closing tracks of eh by guitarist Stangl and turntablist/electronicist Dieb13 (Dieter Kovacic). Stangl is one of a handful of contemporary free improv musicians who happily forays into tonal, even melodic spheres, conjuring up a reduced version of John Fahey, perhaps. On "eeeh", his delicate str…