Charlotte Hug
Son-Icon Music
Son-Icon Music - orchestra and choral works by Charlotte Hug Music notation and conducting form the basis of the classical Western tradition of composition and performance. As early as the 1960s, alternatives to this system were sought again and again – a system which implies a lack of maturity in the individual performer. With her “Son-Icons” Charlotte Hug developed a medium and compositional technique, which integrates the imagination and artistic resources of the individual into a guided whol…
Fulguratio
Drum and voice – a more archaic pairing could hardly be imagined. Under this motto, in 2016 the festival “Ad libitum” in Warsaw invited Charlotte Hug and Lucas Niggli as an improvisation duo. Although they live in the same city of Zurich, this was a first for both musicians. The electrified audience was just as overwhelmed by this recent discovery as the duo themselves: if they had known that their meeting would release such an exceptional, electrifying energy, this duo would have been born long…
Bouquet
Both Charlotte Hug (viola and voice) & Frédéric Blondy (piano) use extended techniques on their respective instruments making their duo sound like no other. The feeling varies from agitated and fast to calm and still, and the sound world from acoustic to electronically mysterious even though no electronic manipulation is used. The CD is summed up in Dan Warburton's notes as 'top-notch music made by two outstanding performers with exceptional ears for pitch, rhythm, timbre and structure…
Slipway to Galaxies (Solo Viola & Voice)
An intensely personal journey, Charlotte Hug uses extended vocal techniques and an unusual language on the viola, creating an exceptional and unique improvisatory sound world. Charlotte Hug's third solo (unaccompanied) CD is the first to feature her voice as well as her viola. The two are used together to create an even more complex instrument than before sometimes sounding like a duo performance. Recorded in her home town of Zürich after several visits to Cork in Ireland, she has subtly absorb…
Pi:k
'Two musicians from very different backgrounds finding common ground. The first half consists of studio duets on guitar and viola recorded in New York City without any electronics, but they are not what one would expect from these two instruments. The second half is very different - recorded in concert in Geneva with a liberal amount of electronics.'
Neuland
For her second solo album, Hug (pronounced 'hoog') concentrates on solo viola without any electronics in a series of pieces inspired by her recent visits to London. Her strong musical personality and original extended techniques ensure that this is a solo recital unlike any other.