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Tip! *300 copies limited edition* "Open Mouth LP At last! The long-promised duo LP by two undisputed masters of post-tongue instrumental gesticulation and invention. Augured by their eponymous 7” from 2019, Off Motion is a full-length exploration of the previously unknown aural destinations these two guys continually discover as they move beyond the borders of music-as-it-is-played. Often, when writing about music, it's possible to draw comparisons to players' stylistic relationships to what has…
Volume 5 in Econore’s Vocal Studies series. Edition of 50 numbered copies. Darcy Spidle has long used the moniker chik white for various art projects. His latest efforts centre around the jaw harp, a pancultural, ancient instrument steeped in mystical allure. Inspired by sound poetry, noise, free improvisation, Dada, nature, and the human voice, chik white harp explorations aim to conjure visceral experiences.
Chik White is the moniker of Darcy Spidle, jaw harpist,
tape collagist, non-institutional locally-sourced field recordist, and
founder of the OBEY Convention festival. Spidle was part of the Canadian
crust-punk scene in his younger years, but he eventually evolved
towards more adventurous sides of music. In 2009, after obtaining a
collection of jaw harps, his musical output took its most dramatic turn.
Since then, he has released a string of tapes and records on seminal
underground labels…
"Over the past few years, we started hearing solo jaw harp cassettes by a Canadian musician who called himself Chik White. Some of them were straight-forward somewhat-folky blasts of righteousness, others used studio effects to emphasize the psychedelic qualities of the instrument (or so it seemed), and others were nature-based explorations of the jaw harp's drone possibilities. Heard individually they were striking, but listened to as a group, they went way beyond that. We got in touch wi…
Two sets of music by Chik White, an alias of Darcy Spidle, whose Nova Scotia-based Divorce Records has been slinging LPs of sonic bemusement since 1999. Jaw Works is made up of solo jaw harp performances, wringing mesmerizing detail from variations in rhythm and tempo, while achieving a wide variety of barely believable, almost synthesized-sounding timbres. Behind A Dead Tree On The Shore also features the jaw harp, albeit in concert with the North Atlantic Ocean, which inspired the more minimal…