Tip! *300 copies limited edition* "Open Mouth LP At last! The long-promised duo LP by two undisputed masters of post-tongue instrumental gesticulation and invention. Augured by their eponymous 7” from 2019, Off Motion is a full-length exploration of the previously unknown aural destinations these two guys continually discover as they move beyond the borders of music-as-it-is-played. Often, when writing about music, it's possible to draw comparisons to players' stylistic relationships to what has gone before. But the music on Off Motion (to quote a William Burroughs chestnut), “buggers comparison.” Nace's style on electric guitar may have its roots somewhere in the playing of Keith Rowe, but the sonic scapes he conjures are so nimbly freaked, I can rarely figure out what the hell he is doing (if anything) to generate what I'm hearing. And White's avant garde approach to the jaw harp (as well, I think, nose flute and maybe even bird call) has so few precedents apart from random Fluxus events, it's impossible to make any inferences as to possible influences.

This duo lives up to the promise of ESP-Disk's motto as much as anyone I can think of. You have never heard such sounds in your life. The seven pieces on Off Motion are hard to unravel. Chik sent recordings to Bill. Nace added his own bits. Then he and Emily Robb screwed around with everything until it pulsed with sheer mystery. I took a lot of notes on the tracks, but the best ones are hard for even me to decode. For “Pathways” -- starts with pixie twinkle guitar, then evolves into a duet for Taishōgoto and nose flute that sounds as though it was designed to drive dogs nuts while they search for phantom, mocking squirrels. For “Erasing” -- like a troubled pigeon visiting a guy who uses an electric razor while bouncing around on Slinky-shoes, before switching into carillon-based boots and breaking into a human pinball routine he's been practicing since he was a boy. I repeat these descriptions only to show how entirely Bill & Chik's music resists easy categorization. 

There is a sense at times the studio/mixing board itself is being used as an instrument, which is very cool. But I am still jonesing to see these guys do some live shows. Both Bill and Chik have the ability to mix jocularity and seriousness into a strangely compelling whole. Their music is bizarre as hell without being off-putting or sterile, and anyone who has a taste for weird thrills is gonna love Off Motion to death." - Byron Coley