We have all been there at some point or another, maybe even last night. There are those moments when you are drifting into or out of sleep when it is hard to identify exactly what is real and what is imaginary. Time spent working through the hazy gauze separating waking and dreaming blurs the edges of perception and leaves us sorting through myriad versions of hyper-reality. The music of Body/Head has always existed for me within this liminal space. Whether it is Kim Gordon’s spectral, invocation-like vocals and churning guitar work or Bill Nace’s reality altering guitar conjurings, the duo have spent over a decade creating a singular body of work that rides that very knife’s edge. Are their sonic constructions here to help you or to harm you? To guide you to safety or to lead you into ruin? Where the listener sits mentally at any given moment helps determines the outcome along countless dualities. This mastery over unpredictability is why I have constantly considered them the most potent band going.

While time the past few years has been strange in all walks of day-to-day reality, Body/Head continues forwards as a force as constant as the tides. They offer forth the Come On EP now as a sort of proof of life photo, a transmission to remind you that they are still out here and ready to serve on a moment’s notice. Its four tracks have been assembled from a combination of old and new parts to create a composite whole that is every bit as vital as any other chapter within their discography. Equal parts raw and shine, current statement and hint of future releases to come, Come On is Body/Head operating on all cylinders. The concept was to create a statement along the lines of classic 2x7” EPs like Chain Gang’s Deuce Package or Dynasty’s Gate and to that end Come On delivers in full.