We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Christina Kubisch

Christina Kubisch, born in Bremen in 1948, belongs to the first generation of sound artists. Trained as a composer and flautist, she developed magnetic induction as an artistic technique at the beginning of the 1980s, and since 1986 has added light to her work with sound. Her installations have been shown all over the world and she taught for many years at the Saar academy of fine arts.

The Sound Works Exchange
Original 1995 release. Kurt Dahlke, Christiina Kubisch, :zoviet*france:, Asmus Tietchens, Andrew McKenzie, Philip Jeck,
Sakrale Räume Sacred Spaces 1985-1997 (postcards book)
*2024 Stock * Edition of 50 copies, containing an original drawing by the artist, numbered and signed. Christina Kubisch Sakrale Räume Sacred Spaces 1985-1997. Booklet and set of 15 postcards with images from installations. Text is in German and English
Sakrale Räume Sacred Spaces 1985-1997 (Postcards Set + Book)
*2024 Stock * Christina Kubisch Sakrale Räume Sacred Spaces 1985-1997 limited 1000. Booklet and set of 15 postcards with images from installations. Text is in German and English
Resonanzen / Resonances
*2024 Stock * Hardcover, 224 pages + audio CD. Sound art is among the most fascinating phenomena in the development of modern artistic expression. It has changed our awareness of space and made us realize that our everyday surroundings are also resonance spaces. This book documents examples of the work of important protagonists of sound art while also providing essays on the subject from the standpoints of music science, philosophy and perceptual psychology
Sounding Spaces (9 Sound Installations)
*2024 Stock * English / Japanese Book (Hardcover, 80 pages) with interviews and explanations about the works presented during the exhibition of the same name held @ ICC Tokyo, july 11 - september 29, 2003.
Wellenfang - Wave catcher
On the occasion of Capital of Culture RUHR.2010 Christina Kubisch developed an extensive project based on her electromagnetic investigations in the Northern Ruhr area. It included a central exhibition at the Skulpturenmuseum Marl, five Electrical Walks in various cities of the northern Ruhr area, the video film Wave Catcher in collaboration with Peter Simon and Eckehard Güther, and the publication of a catalogue with DVD. Texts by Uwe Rüth, Rahma Khazam, Christina Kubisch. 72 pages, numerous ima…
El Hotsaren Espazioa. Begiradaren Denbora - Espacio Del Sonido. El Tiempo de la Mirada
*2024 Stock * English/Spanish Hardcover book, 128 pages with audio CD catalogue, documenting a sound art exhibition held at  Koldo Mitxelena Kulturunea, Donostia - San Sebastiàn (Spain) in 1999.
KlangRaumLichtZeit
*2020 Stock * Christina Kubisch is part of the first generation of sound artists to develop their own techniques, such as magnetic induction, in the course of realizing their installations. Since 1986, the trained composer has added light as an additional formative element to her work with sound. This book compiles works that can be viewed as straddling the border between music and visual art. The book also contains elements about the history of her work from 1980 to 2000. This is the bookstore …
Inaudible, Invisible (Book)
An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s. This book is part of a series of monographic publications co-published with the Espace multimédia Gantner devoted to women artists in connection with technology. Christina Kubisch (born 1948 in Bremen, lives and works in Hoppegarten, Germany) studied painting, music and elect…
Going Out – Walking, Listening, Soundmaking (Book)
Tip! 580 Pages. An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking.Since the 1960s, the act of walking has provided a way for artists and musicians to escape the formality of the concert hall or institutional venue, engaging with shifting public spaces, natural environments, and the social and political sphere. Walking redefines notions of composer, performer, public, and music itself, while opening new modes …
Italienische Stucke (Art edition)
**Special edition of 50 numbered copies. Includes signed photograph (13x18 cm) and reproduction of the score of "Liquid Piece“ (245g linen-stock, 29,7 x 42 cm) handcoloured with china ink by Christina Kubisch, signed & numbered.** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zon…
Italienische Stucke
**Edition of 300. Also available as a 50 copies special Art edition** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zones which are yet to be claimed by the known. Of those artists who have taken on such a task, it is hard to call to mind any as important as the German composer, …
Womens Work
**in process of restock** Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers:Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating …
Licht himmel
The music on this CD is a stereo mix of the 14-channel composition for the sound-light installation 'Licht Himmel' at the Gasometer Oberhausen, inaugurated in March 2006. The work comprises 212 special LED lights, following the architectural lines of the 100 m high building. The sound is transmitted by two speaker circles, one at the bottom and one at the top. Light and sound transform the huge gas tank into a space of contemplation and magic. Trautonium, glass harmonica, tibetan metal bowls, vo…
Works 74/75
Very thought to find, this is the 'legendary' first Christina Kubisch artist book published here in Milano in 1977 by the Flash Art magazine editor Giancarlo Politi. Christina Kubisch is one of the pioneers of sound art, with numerous sound installations, performances and compositions to her credit, and amazing artist books Christina Kubisch belongs to the first generation of sound artists. Trained as a composer, she has artistically developed such techniques as magnetic induction to realize he…
Twelve signals
New CD from German sound artist Christina Kubisch on Semishigure, a similar exploration of sound & silence as the first one, Diapason (SEMI 002). On Twelve Signals Kubisch used original miner bells from a German mine to produce an hour long piece of bell tones. Several electrical bells were hit with small hammers each giving forth a sequence of clear bell tones that hover in the air. This live recording was made in the St. Matthaeus-Kirche in Berlin: halfway through the recording the original ri…
Diapason
Germany most famous sound artist with a new album recorded exclusively with tuning forks. A meditative album that takes on a different meaning, feeling and association with every sound, in places almost microsound-ish and in others like a heavily delayed gamelan set. CD comes  with a beautiful 16-page colour booklet with shots of the tuning forks and the installation where this is piece is taken from. Last copy available
Dreaming of a major third
The second Christina Kubisch CD on RZ, from one of Germany's more important sound composers. This features is a composition for the clocktowerof the MA Museum of Contemporary Art. All the sounds derive directly from the original bells from the MASS MoCA clocktower. The sounds have been pitch shifted and attack shaped, but have not been electronically altered. The result is a CD of ultimate installation drone and a must for fans of the Het Apollohuis aesthetic, sound artists like Bill Fontana, et…
Vier Stücke
Four pieces from arguably the most cited sound-sculpt of our time, recently fêted via an exposé in The Wire (October 2001). 'Vocrolls II' (1988) consists of recordings of a glass sphere coming to rest in a Tibetan metal bowl, processed in physics-defying fashion through an early desktop port of the now-prevalent phase vocoder algorithm. 'Mouse Ware' (1998) is the soundtrack to an installation (10 different makes and models of computer mouse are preserved in alcohol, accompanied by 10 user-friend…
1 2