Conrad Schnitzler
Conrad Schnitzler has been an institution in the German electronic music scene for thirty years. He studied with Joseph Beuys in the mid 1960’s, and in the late sixties joined the then fledgling German rock band Tangerine Dream. He added a bizarre, conceptual approach to Tangerine Dream that catapulted the band to legendary status; Schitzler left after that first album, forming with his friends Moebius and Roedelius the band Kluster. Since the demise of Kluster, Schnitzler has released dozens of albums, cassettes and CDs, both on his own and on various labels around the world.
Conrad Schnitzler has been an institution in the German electronic music scene for thirty years. He studied with Joseph Beuys in the mid 1960’s, and in the late sixties joined the then fledgling German rock band Tangerine Dream. He added a bizarre, conceptual approach to Tangerine Dream that catapulted the band to legendary status; Schitzler left after that first album, forming with his friends Moebius and Roedelius the band Kluster. Since the demise of Kluster, Schnitzler has released dozens of albums, cassettes and CDs, both on his own and on various labels around the world.
Rr·concerrt
*150 copies limited edition* Like all concerts by Conrad Schnitzler, this one is unpredictable and always captivatingly beautiful. A masterfully crafted mix of four solo works, all located in close proximity to the RR album itself. There are few such works in the entire discography, and most of them are included in our top 100.
Memory
*150 copies limited edition* 'Memory' is a saturated, multifaceted poem, a work of sound art set against a backdrop of shimmering cosmic space. It is a sonic excursion into memory, reflecting both the light and the darkness of our consciousness. Moving forward and transcending many boundaries, Conrad Schnitzler remains true to the mood established at the very beginning of this 60-minute cinematic work.
Convex
Convex is one of a series of LPs that Schnitzler released himself in the 1980s. It is one of his LPs that convey virtually no visible information. Only the title is printed in large letters on the cover of Convex, and in tiny letters that are easy to overlook, it says: "Cover Conrad und Richard." The labels on the original LP indicate that one side is called "Convex" and the other "Concav." That's all the information there is."On Convex, as on many of his other albums, Schnitzler definitely used…
Control
"Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control.
The album seems to be a kind of compilation of different musical approaches. Tracks 5…
Silberland Vol 3: The Ambient Side Of Kosmische Musik (1972–1986)
Double LP version. On their last trip to Silberland, hurtled along the chrome highways and glass skyways of the kosmische landscape, powered ever onwards in perpetual motorik motion. This time, however, the Hamburg imprint opt for an unhurried itinerary, coasting far beyond the familiar rhythmic terrain to immerse listeners in the ambient side of this alternative Allemagne. Building on the tape loops, tone poems, and minimalist compositions of the '60s avant-garde, these musicians utilized the s…
DronosWalze / Dron
With DronosWalze / Dron, Conrad Schnitzler revisits and redefines the drone form, crafting a dual album that foregrounds his singular approach to electronic minimalism. These expansive pieces radiate immersion and mechanical elegance - each a testament to Schnitzler’s restless exploration and uncompromising sonic vision.
Control (LP)
Control captures Conrad Schnitzler at a pivotal moment in his solo career, with recordings made between 1979-1981 at his home studio in Berlin. Following his departure from Kluster and his brief tenure with Tangerine Dream, Schnitzler had fully committed to his vision of electronic music as pure sonic exploration. Where Convex explored minimalist repetition and icy atmospheres, Control reveals a different facet of Schnitzler's artistry. The album showcases intriguing electronic patterns, tape ma…
Convex (LP)
Conrad Schnitzler was a prolific German experimental musician and co-founder of West Berlin's Zodiak Free Arts Lab, an early member of Tangerine Dream and founder of the band Kluster. After leaving Kluster in 1971, Schnitzler embarked on an extensive solo career, pushing the boundaries of experimental electronic music. Originally released as a private pressing in 1982, Convex stands as one of Schnitzler's most compelling and underrated works. A minimalist album composed of shrill loops and disso…
Gelb
The second chapter in Schnitzler's color trilogy of pure electronic minimalism. Released in 1981 on Edition Block, Gelb continues the radical sonic experiments begun with Grün, stripping electronic music to its most stark and uncompromising essence. The original Edition Block pressing is exceptionally rare and highly sought after by collectors of minimal electronics, early industrial sound, and the German underground. "The chronology of Schnitzler's solo releases in the 1970s -- and even more so…
Gruen
Electronic minimalism at its most hypnotic and uncompromising. Released in 1981 on Edition Block, this is pure Schnitzler—no concessions, no commerciality, just the sonic vision of one of Germany's most radical electronic pioneers. Former Tangerine Dream and Kluster member Schnitzler strips away all excess, constructing strange, pulsating soundworlds from primitive synthesizers and tape manipulation. Grün unfolds like a series of sonic experiments, each track a self-contained universe of repetit…
Drei Kugeln
*100 copies limited edition* Totally concentrated, this album captures the birth of new ideas almost every minute – each emerging, disappearing instantly, and making way for the next. Reminiscent of Elliott Sharp’s 'Phlogiston' and the works of Roland Kayn, it balances mystique with accessibility. A masterpiece and a true classic of electronic music.
RhythmiCon
*100 copies limited edition* Con's rhythmic explorations, carried out over 18 years from 1982, culminated in this full 66-minute album. A truly unique release, it stands apart from his other works, offering a distinct sonic experience. Intentionally simple – almost primitive – its rhythmic structures capture the musical atmosphere of the early '80s. Hypnotic, analog-driven, and now available for the first time on CD.
Krautrock Eruption – An Introduction To German Electronic Music 1970-1980
Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this. The music associated with the term in question has eagerly been canonized. From the enthusiastic and idiosyncratic ramblings of Julian Cope’s “Krautrocksampler” to encyclopaedic approaches like Alan and Stephen Freeman’s “Crack in the Cosmic Egg”, there are plenty of books to read and lists to discuss: Who’s in, who isn’t? The quarrels and disputes sur…
The Red Cassette
Original ultra-rare cassette self-released by Con in 1973.
Rot
First CD re-issue on Plate Lunch from 1997 of Con's wild electronic first album from 1973.
Con '72 Part II
Second volume of Conrad Schnitzler's previously unheard wild early synthesizer experiments recorded live in London in 1972 and released in a limited edition LP by Qbico in 2004.
Con '72
First volume of Conrad Schnitzler's previously unheard wild early synthesizer experiments recorded live in London in 1972 and released as a limited edition LP by Qbico in 2002.
John Tyler Selection
*100 copies limited edition* A successful example of a collaboration between critic/listener and musician, where existing artifacts acquire a new sound through their combination. This release is an essential tool in the musical arsenal of both a beginner, who is first diving into the depths of CON's structural electronics, and a mature fan of the patriarch of the Berlin school. Get your colorful entrance ticket to CON's Cosmos! Willkommen!
Magie
*100 copies limited edition* Like the entire series of 100 works showcasing the most notable viewpoints in CON's electronic space, 'Magie' is a unique facet that draws the listener into an unpredictable, sometimes frightening journey into the unknown that runs through rich, frequently changing soundscapes.
Blau
** 500 copies. Limited 50th Anniversary Edition: embossed, reverse board, hand numbered, limited edition red vinyl ** On the red album, Conrad Schnitzler laid down the direction his musical artistry would take. The blue album (Blau) offered confirmation of his intent. Maybe the Rot and Blau tracks were recorded in the same session. The structure, sound, and timbre of both LPs are so similar as to suggest that this was the case. Far more important than this historical pedantry is the fact that Sc…