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The Daniel Levin Quartet has already shown on prior recordings that a change of conventional instrumentation in a jazz combo is enough to explore an entirely different world of musical gesture, timbre, and expression. In the case of this latest release, Levin dispenses with his own convention of using song structures as the basis for improvisation. Instead, he gave trumpeter Nate Wooley, vibraphonist Matt Moran, bassist Peter Bitenc (and himself on violoncello) a set of words and concepts, and a…