David Tudor
David Tudor (1926 to 1996) was a legend of American experimental music. For years after the Second World War he was the only pianist to devote himself systematically to the most radical new music, giving the first performances of John Cage's works, including 4'33", and of Boulez, Stockhausen and Feldman, and becoming a touchstone for the whole avant-garde with a technique and a fearlessness no one could match. From the 1960s he set the piano aside and turned to live electronics, building his own circuits and treating them as unpredictable instruments to be played.
Fluxus Anthology 60 Years Anniversary, 1962-2022
** Last copies ** In (heavy and over-sized) wooden box of 80 copies, hand numbered. Ten audiotapes with interviews/statements, tape collages, electronic music, interview, live events with new and some old material. By Charlotte Moorman, David Tudor,…
Variations VII - 9 Evenings: Theatre & Engineering
Lucky restock, last copies In late 1965, Billy Klüver, a research engineer at Bell Telephone Laboratories, arranged for ten New York artists -- John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Ra…
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Monobirds
From the Danish imprint Topos, comes one of the most historically important archival releases of the year, a never before issued work - "Monobirds (From Ahmedabad to Xenon)" created by David Tudor between 1969 and 1979. A truly visionary expanse of p…
Rainforest IV
** Six panel wallet with one CD. Binaural audio best heard with headphones ** Few artists within the canons of 20th Century avant-garde and experimental music can be regarded as important or influential as the pianist and composer David Tudor. His na…
Teasing Chaos (Book)
Restock due soon * 224 pages 110 color and b/w illustrations * David Tudor (1926–1996) was one of the leading pianists and interpreters of contemporary music in Europe and the USA in the 1950s. His ability to respond to the indeterminate character of…
Music of David Tudor and Gordon Mumma
This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his clos…
Variations IV, Vol. II
A 1965 journey into found sound; this is John Cage. Another seminal volume of indeterminate music, from an icon of experimental sounds. Reissued for the first time and thematically on gorgeous clear vinyl! It could be argued that there is no more …
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Variations IV, Vol. I
"Due to unprecedented demand" for the first volume of Everest's 1965 release of John Cage's Variations IV (perhaps unique at the time given the experimental nature of the material), a second selection of music culled from Cage and associate David Tud…
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San Francisco Museum Of Art, January 16th, 1965
Recorded live by KPFA Radio in the halls of the sculpture court of the San Francisco Museum of Art on January 16, 1965, the day of 39th birthday of fellow pianist and longtime associate David Tudor, this historic concert with John Cage opens with a d…
Variations IV
Anything can happen and often does. This is John Cage. A seminal example of indeterminate music from an icon on experimental sounds. This work was originally used as music for the choreographed piece by Merce Cunningham, "Field Dances," with stage an…
Music from the Tudorfest: San Francisco Tape Music Center, 1964
In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in …
Music Of Changes
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, d…
The Art Of David Tudor 1963-1992
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set…
John Cage Shock Vol. 2
Volume 2 in EM Records' John Cage Shock series lifts off with a fiery example of David Tudor's piano virtuosity, his mastery of dynamics well-evident in a performance of Klavierstücke X (1961) by Karlheinz Stockhausen. The titular shock of this serie…
John Cage Shock Vol. 3
The final CD of the John Cage Shock series features John Cage's 0'00" (1962), also referred to as 4'33" No. 2, performed by the composer, with daily activities such as writing and drinking coffee amplified by contact microphones into sonic abstract…
John Cage Shock Vol. 1
In October 1962, John Cage and his great interpreter/co-visionary David Tudor visited Japan, performing seven concerts and exposing listeners to new musical worlds. This legendary "John Cage Shock," as it was dubbed by the critic Hidekazu Yoshida, …
Bandoneon! (A Combine)
In 1966 ten New York artists and thirty engineers and scientists from Bell Telephone Laboratories collaborated on a series of innovative dance, music and theater performances, 9 Evenings: Theatre & Engineering, held in October at the 69th Regiment Ar…
Music For Merce Cunningham
Rare artist's record, with an amazing versions of Tudors electronic environment masterpiece, performed by David Tudor and Takehisa Kosugi for the Merce Cunningham Dance Company. Numbered edition of 200 copies. Packaged in plain black jacket with inse…
From The Kitchen Archives No.4: Composers Inside Electronics
From The Kitchen Archives No. 4: Composers Inside Electronics continues a series of CD releases featuring recently discovered audio recordings of concert performances at The Kitchen dating from the mid-1970s to the early 1980s. The electronic innovat…
Rainforest
Two versions of David Tudor's electronic environment Rainforest, issued commercially for the first time: Version I (1968), made for the Merce Cunningham Dance Company with Takehisa Kosugi, and Version IV (1973), an electro-acoustic environment.