Don Pullen

Jazzhus Montmartre, Copenhagen, 4 and 5 April 1985. The George Adams - Don Pullen Quartet with Cameron Brown and Dannie Richmond, and a guest who changes the sound: John Scofield on guitar. This was the rhythm section of Mingus's Changes One and Changes Two, minus Mingus, and between 1979 and 1989 it was one of the best working bands in jazz. JazzTimes, looking back, wrote that no group before or since bridged avant-garde abandon and gutbucket groove so convincingly, and that everyone who heard …

The first studio album by the George Adams - Don Pullen Quartet, recorded at Fendal Sound Studio in Loenen aan de Vecht, in the Dutch countryside, between 3 and 5 August 1980, and produced by the two leaders themselves for Timeless. Adams on tenor and flute, Pullen on piano, Cameron Brown on bass, Dannie Richmond on drums. Neil Tesser, in the Playboy Book of Jazz, wrote that the presence of Richmond, Mingus's drummer and protégé for over two decades, made it clear that this band saw itself as ca…

Original edition on Timeless of the Netherlands-only 1981 album.

Rare late 1970's re-issue on Graves' own IPS/SRP labels of the 1967 album featuring Don Pullen.

Few copies available. Exclusive translucent red vinyl. Limited to 500 numbered copies. Includes In Concert At Yale University and Nommo with reproduction of hand-painted sleeve and historical inserts. The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the v…

Bomb! Sourced from the master tapes. First-time vinyl reissue Black vinyl single LP version. The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny …

Bomb! ** Sourced from the master tapes. First-time vinyl reissue ** Groundbreaking early work from drummer Milford Graves and pianist Don Pullen – a set of long, free improvisations that were originally issued on Graves' Self-Reliance Productions label! The music is even more striking than sounds from the time on the ESP label – and also really predates some of the freer work of this type from the European scene – as Graves is a monster on the drum kit and a range of percussion, reaching out wit…

*2023 stock* Healing Force is an album by American jazz pianist Don Pullen recorded in 1976 for the Italian Black Saint label.

For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time a…

Corbett Vs. Dempsey present the first CD reissue of Beaver Harris and Don Pullen 360º Experience's A Well-Kept Secret, originally released on Shemp Records in 1984. Of all the never-issued-on-CD items in history's dustbin, A Well-Kept Secret is perhaps the most egregious. The beautiful studio recording, made under the watchful ear of überproducer Hal Willner, was first issued on LP in 1985 on Willner's own Shemp label. With its unconventional lineup featuring steel drums, Latin percussion, and F…