Elliott Carter (1908-2012) was born in New York and lived to 103. He studied at Harvard, then in Paris with Nadia Boulanger, and earlier with Walter Piston and Gustav Holst. He is known for metric modulation and for layered, independent rhythmic strands. He won the Pulitzer Prize twice, for String Quartet No. 2 (1960) and String Quartet No. 3 (1973), as well as the Ernst von Siemens Music Prize (1981) and the National Medal of Arts (1985). Other works include Variations for Orchestra, the Piano Concerto and Symphonia. His only opera is What Next?.
1978 LP on Turnabout with several mainly avant-garde compositions or adaptations for voice and guitar performed by Rosalind Rees and David Starobin. With insert.
condition (record/cover): NM/NM Gatefold sleeve. A remarkable tribute to one of Italy's most influential composers! This album honors Goffredo Petrassi (1904-2003) with his own Inno alongside six commissioned works by distinguished international comp…
While a student at the Horace Mann School, Elliott Carter came to know Charles Ives. Carter continued his education at Harvard and then studied with Nadia Boulanger in Paris. Ives and Boulanger were formative influences: Carter's music draws on Ameri…
This recording contains four works for violin by four disparate American composers with unique conceptions of the instrument and its possibilities, technical and expressive. Elliott Carter's Riconoscenza is a short work for unaccompanied violin imbu…
Choral music has always held and continues to hold a prominent position in American musical life. The three works presented here take their place in a tradition that stretches back to the Puritan Fathers. The title composition, Americana, is one of t…
Elliott Carter's Oboe Quartet and solo pieces, and Isang Yun's Piri and Quartet for oboe and string trio, played by Heinz Holliger, Thomas Zehetmair, Ruth Killius and Thomas Demenga. Recorded 2001-2002 at Radio Studio DRS, Zürich.
Elliott Carter's one-act opera What Next? (libretto by Paul Griffiths), recorded live at the Concertgebouw, Amsterdam, in September 2000, and his Asko Concerto (Hilversum, 2001), with the Netherlands Radio Chamber Orchestra conducted by Peter Eötvös.
Violin recital by Michelle Makarski, with Thomas Larcher on piano in Dallapiccola and Berio, setting Tartini's Sonata No. 7 among works by Petrassi, Carter, Rochberg and a 14th-century Lamento. Recorded May 1999 at Radio DRS, Zürich.
Elliott Carter's Quintet for Piano and Strings, Quintet for Piano and Winds, Syringa, Tempo e Tempi and two miniatures, recorded under his supervision for his 95th birthday with Ursula Oppens, the Arditti Quartet and Ensemble Sospeso.