Full Blast
Members: Peter Brötzmann
Wood cuts
Peter Brötzmann, alto & tenor saxophone, bass clarinet, Bb-clarinet. Paal Nilssen-Love-drums, percussion. Recorded October 2008 in Oslo, Norway.Second album from the godfather of European free-jazz, Peter Brötzmann and Norwegian virtuos Paal Nilssen-…
Mental Shake
LP version. Cafe OTO\'s tenth Otoroku release sees a return to the group that kick-started the label -- the veteran German reedsman and free-jazz pioneer Peter Brötzmann with the long-running London bass/drums partnership of John Edwards and Steve …
Nothing Changes No One Can Change Anything
Recorded at H sei University, Tokyo, April 26, 1996. 'No band on Earth has ever sounded like Fushitsusha. Sure, there are antecedents to their mind-scraping, soul-searing roar: Blue Cheer's in there, as is Hendrix circa 1970, when he'd given up the s…
Opened, but hardly touched
Peter Brötzmann, alto, tenor & baritone saxophone, e-flat clarinet, tarogato. Harry Miller, double bass. Louis Moholo, drums. On Opened, But Hardly Touched, the Brötzmann-Miller-Moholo combination, displays the most accessible approach of the live tr…
We Thought We Could Change the World. Conversations With Gérard Rouy
One day in 2008 an old friend of mine came to me and said, 'I want to make a film about Peter Brötzmann, do you want to be part of it?' What a question! He didn't know that much about (free) jazz and freely improvised music but from the late 70s on, …
For Adolphe Sax
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European …
I am here where are you
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might …
Full Blast
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with …
Low Life / Last Exit
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of t…
Aoyama Crows
Aoyama Crows is the fifth album by Peter Brötzmann's Die Like a Dog Quartet. Saying the music can still surprise would be a lie. But that doesn't mean it lacks excitement, on the contrary. The performance, recorded at the Berlin Total Music Meeting i…
Solid And Spirit
2022 restock, last copies. Recorded on April 18, 2010 at Clemente Velez Center, New York City. German free jazz saxophonist and clarinetist Peter Brötzmann: alto and tenor sax, B-flat clarinet, tarogato. American jazz drummer/percussionist, Hamid Dra…
Long Story Short
Long Story Short, the festival organized as the 25th edition of the Unlimited Festival in Wels, Austria (November 2011) designed a festival around Peter Brotzmann's musical practice -- not a retrospective, but a representation of the contemporary mus…
Born broke
Stripped-down' probably isn't the right term for a release like this, but Brotzmann's reeds and Uuskyla's drums are the only two constituents of this double disc set, setting themselves up for comparison with fellow free improv pillars Ken Vanderm…
The Nearer the Bone, the Sweeter the Meat
180 gram vinyl, originally released in 1979 on the FMP label. Peter Brötzmann on soprano, alto, tenor saxophone, clarinet, bass clarinet; Harry Miller on double bass, and Louis Moholo on drums. Recorded by Jost Gebers on August 27th, 1979 at the FMP-…
Balls
Cien Fuegos presents live recordings circa 1970 Berlin from the legendary free music duo of German free jazz saxophonist Peter Brötzmann and Dutch jazz drummer and percussionist Han Bennink and pianist Fred Van Hove. Instrumentation: Peter Brö…
Ein Halber Hund Kann Nicht Pinkeln
Peter Brötzmann: soprano, alto, tenor saxophone, b-flat clarinet, bass clarinet, piano. Han Bennink: drums, piano, viola, banjo, bass clarinet. Recording: A1 & A2 recorded live by Bernhard Arndt on April 8th & 9th, 1977 during the Workshop Freie Musi…
Stone/Water
Featuring Ken Vandermark & Mats Gustafsson. Recorded live at Victoriaville in May of 1999. Fantastic live material from a very unique group – the instantly-legendary meeting of reedman Peter Brotzmann with the leading lights of the Chicago avant jazz…
The Fat Is Gone
Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This…
American Landscapes 1
American Landscapes 1 and 2 are live dates from 2006. While there have been a few personnel changes since the original line-up—trombonist Hannes Bauer replacing Jeb Bishop and drummer Paal Nilssen-Love replacing Hamid Drake—the core Tentet has remain…
More Nipples
One of the great archaeological finds of recent years: Three lost tracks from the Nipples sessions. Dateline: Germany, 1969. The legendary lineup: Peter Brötzmann and Evan Parker (saxophones), Derek Bailey (guitar), Fred Van Hove (piano), Buschi Nieb…