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Gavin Bryars

Arguably the most important British post-minimalist composer, Gavin Bryars mixes classical, jazz, and modern influences in his intellectually engaging (yet still emotionally touching) music. Though his style has changed somewhat since his first major piece, 1969's "The Sinking of the Titanic," Bryars has remained a provocative yet accessible composer capable of working in a variety of settings. 

Arguably the most important British post-minimalist composer, Gavin Bryars mixes classical, jazz, and modern influences in his intellectually engaging (yet still emotionally touching) music. Though his style has changed somewhat since his first major piece, 1969's "The Sinking of the Titanic," Bryars has remained a provocative yet accessible composer capable of working in a variety of settings. 

Due Qui / To Hear (Box, Art Edition)
Art Edition. 150 copies in limited collector’s edition. Box set including 7 drawings printed on tracing paper + scores. The compositions by Massimo Bartolini, Caterina Barbieri, Gavin and Yuri Bryars and Kali Malone featured in the score, published by SZ Sugar and designed by Studio Folder, were initially conceived to occupy the spaces of the Italian Pavilion at the 2024 Art Biennale in Venice and contribute to Massimo Bartolini's own artistic project as an integral part of the works Pensive Bod…
Due Qui / To Hear
Softcover, 24 pages, 21 x 29,7 cm. The compositions by Massimo Bartolini, Caterina Barbieri, Gavin and Yuri Bryars and Kali Malone featured in the score, published by SZ Sugar and designed by Studio Folder, were initially conceived to occupy the spaces of the Italian Pavilion at the 2024 Art Biennale in Venice and contribute to Massimo Bartolini's own artistic project as an integral part of the works Pensive Bodhisattva on A Flat, Due qui and A veces ya no puedo moverme. The exhibition project D…
After The Requiem
Original 1991 LP edition Stepping into the territory of Gavin Bryars is like coming home, so familiar are the morphemes with which he composes his musical language. One of the most significant recordings in the Bryars catalogue, this disc offers a fine condensation of his spirited and nostalgic sensibilities. After the Requiem dates from 1990 and follows his Cadman Requiem of the previous year. After completing the latter, which was written for the Hilliard Ensemble in memory of Bryars’s friend…
In Là
Timed in celebration of his 80th birthday, the venerable imprint, Alga Marghen, releases “In Là”, a stunning LP comprising a brand-new work by the groundbreaking English composer Gavin Bryars
The Complete Obscure Records Collection
** CD edition ** We’re thrilled to announce the first ever box set gathering the entire ten album collection of Brian Eno’s Obscure Records, originally issued between 1975 and 1978. Containing the debut releases of Gavin Bryars, Michael Nyman, John Adams, David Toop, Max Eastley, Harold Budd, Christopher Hobbs, Jan Steele, and Simon Jeffes / The Penguin Café Orchestra, in addition to important works by John Cage, Tom Phillips, and John White, not to mention Eno’s seminal “Discreet Music”, the la…
Jesus’ Blood Never Failed Me Yet (Art Box)
Incredible artist’s book designed to celebrate the 50th anniversary of Gavin Bryars’ iconic song “Jesus’ Blood Never Failed Me Yet”, released as music score and LP. Edition of 120 copies, signed by Gavin Bryars. Produced in letterpress on an original 1963 Nebiolo Atena printing machine, the work comprises 80 unnumbered pages in 50×35 cm format on Fabriano Tiepolo 290 gsm 100% cotton paper in sections inside a slipcase, which includes a 33 rpm vinyl record. The occasion is further marked by the l…
The Sinking of The Titanic
Mega-Tip! Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage…
The Pavilion of Dreams
**Repress** For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces…
Landscape with Tears
At his third release for our Zeit Composer Series, the talented Italian flute player Manuel Zurria has given birth to some of the most heartbreaking music ever published by Die Schachtel. A moving and incredibly clever transcription for flutes, glass and electronics of John Dowland's 1604 masterwork Lachrimae functions as the thread between a stunning  and totally rewarding series of pieces by György Kurtag, Peter Eötvos, Gavin Bryars, Mary Jane Leach, Howard Skempton, closing on a composit…
Gracilty
2024 lucky restock. A mind blowing archival double cd centred around Laurie Scott Baker, who has been involved in experimental music since he was a teenager. A pioneer of live electronics and graphic scores back in the 60s, a member of the Scratch Orchestra & Peoples Liberation Music with Cornelius Cardew, played many first performances of new music. Gracility comes out of the development of free improvisation & groups such as Scratch Orchestra etc. & the general questioning of the music establi…
The Marvelous Aphorisms of Gavin Bryars: The Eearly Years
Gavin Bryars' music, post 'The Sinking of the Titanic' and 'Jesus' Blood...', is well known and often performed today. Less known are the earlier works featured on this cd, created during the years 1969-71. At that time, Bryars became associated with Michael Nyman, John Tilbury and Brian Eno - marrying ideas from Cage, Fluxus, free improvisation and experimentalism. Some of the works recorded here appeared on Eno's avant-garde Obscure label in the mid-1970s. In 1, 2, 1-2-3-4, the musicians liste…
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