Hiroyuki Usui
Sings The Blues
Solo darkness from remarkably pedigreed but rarely recorded Japanese legend (Ghost, Fushitsusha, L, Marble Sheep, A-Musik, August Born, etc). Raw and gripping, like a darker version of his all-time folk-psych classic Holy Letters. Performed completely solo on voice, guitar, banjo, bass, steel guitar, and cornet, the music is almost uncomfortably blunt and rough around the edges – a “Tonight’s the Night”-like offhandedness that only serves to increase the feeling of existential seriousness. Like …