Horacio Vaggione
Horacio Vaggione (born in 1943 in Argentina) has been integrating computers to his approach to composition since the 1970s. His body of work includes electroacoustic pieces, mixed pieces, and instrumental music. His compositions, especially those developing multiple time scales, have won him prestigious prizes from academic circles, but they never reached a wider audience
Horacio Vaggione (born in 1943 in Argentina) has been integrating computers to his approach to composition since the 1970s. His body of work includes electroacoustic pieces, mixed pieces, and instrumental music. His compositions, especially those developing multiple time scales, have won him prestigious prizes from academic circles, but they never reached a wider audience
Member of: It
Virtual Reality Handbook (CD+book)
Habens in 1992 with a text by Clock DVA's Adi Newton and accompanied by a split Clock DVA / It (MH's Ivan Iusco) CD.
Schall / Rechant
A discreet but essential figure in the field of musical creation, Horacio Vaggione has been crafting an ambitious, precise and highly significant body of work for over the last fifty years, coupled with a demanding research activity. This disc offers four purely electroacoustic pieces which illustrate, each in their own way, this singular and fascinating grammar developed by Horacio Vaggione, a complex but fertile grammar which establishes a very special relationship between structure and textur…
La Maquina de Cantar (LP)
At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Horacio Vaggione’s LP, "La Maquina de Cantar", issued as the 18th instalment of the label’s Nova Musicha series in 1978 and among the most important examples of Latin American experimental music from the 1970s. Engrossing and creatively riveting, heard more than 40 years on its rippling electronic tones recast the ter…
Points Critiques
Argentinian composer living and working in Paris since 1978. Horacio Vaggione was an incredible user of tape machine. Even if he's working now with digital tools, you can remember it. Five pieces working on ideas of acoustic transformations
Viaje: Musica Electronica Libre
Cult, obscure 1976 proto-electronics masterpiece 'Viaje' is a purely brain frying avant garde flipout from the electroacoustic musicians Eduardo Polonio and Horacio Vaggione (probably most known for his album on Cramps 'Nova Musicha' series). Together, they deploy synths, electric guitars, organs and bass and squash them all up together in sundry sense befouling ways. On the A side, they're tangled into an overpowering threshing machine of spitting electronic mayhem, while the B side moves the p…
Fluides
Five electroacoustic works by Horacio Vaggione, from newest to oldest: GRM, ZKM and Bourges commissions built on transformed piano and violin sounds, back to Fractal C, made in 1983-84 at Ircam on a VAX 780 from a fractal Cantor set model.
Viaje
In 1976 the fairly square “Movieplay S.A.” imprint (via their slightly hipper “Serie Gong”) quietly issued this monster of a live-electronic / psych-freakout opus (oddly, alongside canonic titles by Inti-Illimani, Victor Jara, et.al ... all considerably more “Inside”) by the then-unknown composers Eduardo Polonio & Horacio Vaggione, recording under the name It. Predating the latter’s canonic Cramps-label debut “La Maquina Del Cantar” by a couple of years, this is miles away from the controlled g…
It viaje
A legendary electronic masterpiece issued by this duo of electroacoustic musicians from Spain and Argentina, Eduardo Polonio and Horacio Vaggione, together they deploy synths, electric guitars, organs and bass and squash them all up together in sundry sense befouling ways. On the A side, they're tangled into an overpowering threshing machine of spitting electronic mayhem, while the B side moves the proceedings into overtly acidy territory, everything ratcheting down and expanding outward into a …
Zeitenwechsel 2
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
s/t
an awesome album by Vaggione whose music (instrumental and electroacoustic) is regularly played worldwide in major centers of contemporary music. awards includes the first newcomp computer music prize (usa, 1983), bourges prizes (1982, 1986, 1988), iscm-trinac prize (1985), daad berlin kunstlerprogram award (1987), international computer music association (icma) commission award (1992), euphonie d'or (bourges 1992).
La maquina de cantar
Argentinian born electronic composer Horacio vaggione (known to some for his involvement with the Alea group) threw together this 2 track masterpiece of multilayered sci-fi epic glop in 1978 for the Cramps label's relished Nova Musicha series... Relying solely on an IBM computer, the title track from 1971 retains the massive energy and unrelenting use of texture and sonic layering that have occasionally given him comparisons to the work of Conrad Schnitzler. The closing piece, 'Ending', is a cla…