Hyo-shin NA
Hyo-shin Na has written for western instruments, for traditional Korean instruments and has written music that combines western and Asian instruments and ways of playing. Her music for traditional Korean instruments is recognized by both composers and performers in Korea as being uniquely innovative. Her writing for combinations of western and eastern instruments is unusual in its refusal to compromise the integrity of differing sounds and ideas; she prefers to let them interact, coexist and conflict in the music.
Hyo-shin Na has written for western instruments, for traditional Korean instruments and has written music that combines western and Asian instruments and ways of playing. Her music for traditional Korean instruments is recognized by both composers and performers in Korea as being uniquely innovative. Her writing for combinations of western and eastern instruments is unusual in its refusal to compromise the integrity of differing sounds and ideas; she prefers to let them interact, coexist and conflict in the music.
Hyo- shin Na: All the Noises
Ocean/Shore 2 (2003) is one of a series that are studies on the use of diverse materials and on the coexistence, within a piece of music, of various instruments. As in the meeting and interaction of water and land, these instruments can have fundamentally very different characters (piri and violin, or clarinet and cello), yet shouldn’t lose their basic nature in the interests of harmony, or even beauty. On first hearing, one might consider All the Noises in the World (2006) to be a piece of trad…