We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
“Composition 429” is the first piece using a new writing method that Braxton calls “Lorraine.” The composer’s notes to the piece describe Lorraine as “a music system that governs the ‘sonic winds’ of breath.” Saxophonist and longtime collaborator James Fei contributes an essay detailing the Lorraine system, which uses a combination of traditional notation and color-coded symbols of the composer’s design to indicate “specific sound types or performance techniques,” drawing from Braxton’s long his…
Kato Hideki: electric bass and bass synthesizer; James Fei: oscillators, filters, spring reverb, contact mike, and miscellaneous electronics. Based in New York City since 1992, Kato Hideki -- a former member of Otomo Yoshihide's group Ground-Zero and Tony Buck's band Peril -- has been involved in myriad projects in America and Europe, including Fred Frith and Ikue Mori's Death Ambient, and a multimedia collaboration with Nicholas Collins. Taiwan-born James Fei studied with Alvin Lucier and Antho…