Jean-Luc Guionnet
Stones, Air, Axioms Delme
**2xLP edition of 300 on white vinyl** A Fragment Factory release in association with centre d'art contemporain – la synagogue de Delme. Stones, Air, Axioms Delme is an ongoing art and research project by French sound artists Jean-Luc Guionnet and Thomas Tilly, dealing with the complex relationships between sound and architecture. Delme is the third phase within this venture. By virtue of its history and exceptional acoustics, Delme’s former synagogue is the ideal setting for a customised, on-s…
Bending Contumax: Organ Works 2008-2014
JLG is a musician who wander and evade. Although his credible techniques of alto saxophone and keyboards, he never uses the staff notation or any other musical notation system to write his music down. This “Bending contumax” is also a recorded documentary of solo organ improvisations played in the churches of Portugal, France, England, Scotland from 2008 to 2014. It is clear that this music has distinct direction in the style of rendition and texture. However it has no method to notate but audio…
Plugged Inclinations
“I work since 1993 to an experimental approach of the church organ (Pentes, Tirets) : 1) we control a machine 2) the organ is halfway between vehicle and artificial intelligence : it is a public transport : a ship, a barque, a boat, a building within a building 3) passing the machinery to the filter of listening, gesture and architecture 4) bringing the blast into the space : ventilate 5) make this organ sound not like this other one 6) express the organ as one says about lemon.The blast is endl…
Lac (Lake)
The subjective portrait of a geographic entity. Latitude: 45 51\' 24.12 N 45.8567 Longitude: 6 10\' 19.92 E 6.1722. Composed between 2004 and 2007 in Annecy (France). Co-produced by MIA. LAC is dedicated to Eric La Casa.
Fusees
“Fusées” isn’t the first collaboration between Thomas Bonvalet and Jean-Luc Guionnet, their first joint effort “Loges de Souffle” appearing on Be Coq last year. The same label also put out a vinyl edition of “Fusées”, but now Sarah Hennies’ label Weighter Recordings has thankfully stepped in with a CD and download release for the rest of us. Although the two artists are primarily known for their attachments to a particular instrument (guitar for Bonvalet, saxaphone for Guionnet), these in…
Mishima, Day & Night
Seijiro Murayama (percussion), who is currently based in Japan, lived in France for a number of years and since that time has performed frequently with the French alto sax player Jean-Luc Guionnet. Mishima, Day & Night is their third duo album after Le Bruit du Toit (Xing-Wu Records, 2007) and Window Dressing (Potlatch, 2011). These four tracks document their improvised music performances in Mishima City at Hongaku Temple (day) and Teke Bar (night) on the same day in July 2013. Murayama uses…
Home Handover
In 2010, Jean-Luc Guionnet and Éric La Casa were invited by Arika to the Uninstal festival in Glasgow (Scotland) to carry out a series of recordings with some inhabitants of this city, in their home spaces. Based on predefined rules, including the single-sequence shot as a recording method, these people became the actors in a story about their everyday life. Guionnet and La Casa considered this work as a composition under the form of a score with four phases.
1st phase: APARTMENT Recording…
De proche en proche
Eric Cordier, amplified and live processed hurdy gurdy. Jean-Luc Guionnet, amplified and live mixed church organ. Recorded live in the Temple Neuf (Metz - France) in February 2004 - organized by Fragment
Non-Organic Bias
The work of Jean-Luc Guionnet deals at times with organs, church organs, pipe organs. Only one piece here with organ sounds. All three are granted a text to explain what they are about, but they aren't too easy to understand. Likewise I don't know what Guionnet does to his organ sounds. Are they played in real time? Are they layered? Are they processed? I simply don't know. In 'Espace Bas' it seems this is not the case, and its played 'as is', with lots of air sounding through occasionally playe…
Belvédère Dans L'étendue
in the memory of René Quinon thanks to Fred Galiay & "Samedi 14" We all are in a house: "Villa Adriana", (René Quinon's house - little village - low mountain - high valley - Ardèche). A bunch of all kind of microphones are deviced in the house and amojng the landscape around the place. Each of them is plugged into a mixing desk that Eric La Casa is using during the recordings. The duration of the mix is more or less pre-decided by the 4 of us. During this amount of time, the 3 instrumentalists a…