We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Karlheinz Stockhausen

Born in Modrath, near Cologne, the prolific musician wrote more than 300 works from orchestral pieces to pure electronic music during his career. Best known for his avant-garde electronic work, Stockhausen was an experimental musician who utilised tape recorders and mathematics to create innovative, ground-breaking pieces. His Electronic Study, 1953, was the first musical piece composed from pure sine wave sounds. Electronic Study II, produced a year later, was the first work of electronic music to be notated and published. But the composer rejected the idea that he was making the music of the future, writing in 1966: What is modern today will be tradition tomorrow.

Born in Modrath, near Cologne, the prolific musician wrote more than 300 works from orchestral pieces to pure electronic music during his career. Best known for his avant-garde electronic work, Stockhausen was an experimental musician who utilised tape recorders and mathematics to create innovative, ground-breaking pieces. His Electronic Study, 1953, was the first musical piece composed from pure sine wave sounds. Electronic Study II, produced a year later, was the first work of electronic music to be notated and published. But the composer rejected the idea that he was making the music of the future, writing in 1966: What is modern today will be tradition tomorrow.

Havona
*2022 Stock.* Havona (14th Hour from Klang, 2007) is for Bass and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 1-3. This CD features the bas…
Treue
*2022 Stock.* Treue (Fidelity, 11th Hour from Klang, for wind trio, 2007) and Erwachen (Awakening, 12th Hour from Klang, for trio, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (The Stockhausen Edition no. 87) to creat…
Hoffnung
*2022 Stock.* Hoffnung (Hope, 9th Hour from Klang, for string trio, 2007) and Glanz (Brilliance, 10th Hour from Klang, for septet, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to cr…
Balance
*2022 Stock.* Balance (7th Hour from Klang, 2007) and Glück (Bliss, Eighth Hour from Klang, 2007) are both wind trios which adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly h…
Harmonien
*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related a…
Himmels-Tür (4. Stunde Aus Klang) - 24 Türin
*2022 Stock.* Himmels-Tür (Heaven’s Door, 4th Hour from Klang) for a "percussionist and a little girl" (2005) is essentially performed on a hand-made door, with panels constructed from different types of wood in order to obtain a broad range of timbr…
Klang- Die 24 Stunden Des Tages: 3.Stunde: Natürliche Dauern Für Klavier
*2022 Stock.* Natürliche Dauern (Natural Durations, 3rd Hour from Klang) for piano (2005/06) is presented in a 2 CD set. Some of these short piano etudes (24 in all) are predicated on the decay times of sustained, pianistic attacks, while others are …
Freude
*2022 Stock.* Freude (Joy, 2nd Hour from Klang) for 2 harps (2005) consists of 24 moments, each linked with a liturgical verse sung by one or both harpists during performance. This piece is one of Stockhausen's most lyrical pieces in the  traditional…
Himmelfahrt
*2022 Stock.* Himmelfahrt (Ascension, 1st Hour from Klang, for synthesizer, soprano and tenor (and some percussion) (2004/05): This work primarily features the polyphonic/polytimbral synthesizer of Antonio Pérez Abellán, with added sung text by Huber…
Michaels-Ruf / Bassetsu / Synthi-Fou / Quitt / Komet / Trumpetent
*2022 Stock.* Chamber Works from Licht, for Brass, Reeds, Percussion & Electronics.
Punkte with introduction
*2022 Stock.* Punkte was presented in an earlier form on The Stockhausen Edition no. 2 (1966 version, rec. 1977). This version, recorded in 2004 with the WDR Symphony Orchestra Cologne under Péter Eötvös (and using modern high fidelity), is a version…
Momente
*2022 Stock.* This is a 2 CD presentation of a new recording of Momente from 1998. Momente has a "mobile-form", which means that the individual segments can be rearranged from performance to performance (typically pre-arranged at the conductor's disc…
Vibra-Elufa
*2022 Stock.* This CD highlights three different percussionists (Michael Pattmann, Andreas Boettger, and Stuart Gerber), as well as the synthesizer of Antonio Pérez Abellán. Klavierstück XVIII and Mittwoch-Formel are two arrangements of the Licht sup…
Music for saxophone with Julien Petit
*2022 Stock.* This CD features the saxophone artistry of Julien Petit. Some of these works were originally written for other wind instruments from 1976 to 1986, but are here newly arranged for saxophone. The 2nd saxophone part of Knabenduett is playe…
Tierkreis / 7 Lieder Der Tage / Vision
*2022 Stock. Includes a 30-page booklet.* This CD features three works (all recorded in 2005) featuring Hubert Mayer as tenor vocalist and Antonio Pérez Abellán on synthesizer (Marco Blaauw joins on trumpet for the third piece). This is notably the d…
Strahlen (Für Einen Schlagzeuger)
*2022 Stock.* Strahlen is an arrangement of Hoch-Zeiten's choir part for tuned percussion (manipulated through signal processing). In a live performance presented here, a percussionist (vibraphone) performs to a tape containing the other 9 complement…
Sonntags-Abschied
*2022 Stock. Includes a 20-page booklet in German and English.* Sonntags-Abschied (Sunday Farewell) contains the exit music for Sonntag aus Licht, programmed and performed by a synthesizer quintet. Harmonically, Sonntags Abschied is an arrangement of…
Hoch-Zeiten
*2022 Stock.* Hoch-Zeiten (High-Times, 2001/02, 5th scene of Sonntag aus Licht) for orchestra and choir. The 5th scene of Sonntag aus Licht is actually a 2-part conception. One part is staged as an instrumental orchestral work, and the other is a sim…
Hoch-Zeiten für orchester
*2022 Stock.* Hoch-Zeiten für orchester (High-Times for orchestra) features each of the orchestral sub-groups from Hoch-Zeiten (presented in its staged form on the Stockhausen Edition no. 73) as individual tracks. These tracks essentially allow the l…
Hoch-Zeiten für chor
*2022 Stock.*  Hoch-Zeiten für chor (High-Times for choir) features each of the choral sub-groups from Hoch-Zeiten, 5th scene of Sonntag aus Licht (presented in its staged normal form on the Stockhausen Edition no. 73) as individual, isolated tracks.…
1 2 3 4 5 6 7