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Since Sam Shalabi enjoyed his mini-breakout in 2004 with the Shalabi Effect's The Trial of St. Orange, the Montreal composer has explored the overlap between popular Western music and traditional Middle Eastern musics, particularly those from Egypt, the country from which Shalabi's parents hailed. These projects tend to be diffuse and ambitious: Shalabi works with dozens of musicians on long, brash drones, or plays meditative oud pieces in comfy theaters. Land of Kush, …