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This is one of those recordings that arrived unannounced in the mail. I knew Lesli Dalaba, of course, but the others were new to me. The project is Eric Glick Rieman's and I found it immediately intriguing. There seemed to be something quite subtle going on; minimal, microtonal, economical and eccentric; it plays subtly with timbre, pitch and structure and never quite does what you expect. At first blush it seemed as it would be another interesting but conventional improvising trio, but …