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For well over a decade, Australia's Lloyd Barrett has been issuing all manner of intricate sound works – from diligent examinations of postconcréte sound and abstracted rhythmic projects to spacious ambient works. In 2005, he committed himself to create Mise en Scene, a work drawing on the concepts of filmic sound and exploring the possibilities of philosophies suggested by authors and theorists such as Michel Chion. The resulting album heralds a bold statement of intent from Barrett. Deeply evo…