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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun st…
Editions of 500. Queen of Siam, Lydia Lunch's solo debut, was originally recorded in 1980. Featuring the noted talents of guitarist Robert Quine (Lou Reed, the Voidoids), multi-instrumentalist Pat Irwin (B-52's, Eight Eyed Spy), and the big band soun…
Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic liber…
Editions of 500. During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shoute…
Medusa's bed fuses Mia Zabelka's avant violin stylings to Zahra Mani's psychoambient soundscapes creating an other worldly surround, the perfect illustration for the nocturnal vocals of Lydia Lunch. Medusa's bed is reminiscent of a murder mystery or …
'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
Known to Rev & Vega as the Baby Faced Killer who they so kindly chaperoned through that lost downtown night world crucible from where both their futuristic, and highly influential, black arts would be born. Artistic Kings & Queens from the dumpster s…