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*300 copies limited edition. Embossed gatefold sleeve, incl. art insert* Miasmah Recordings presents the posthumous release of this double album of the final work by experimental composer Marcus Fjellström, titled The Last Sunset of the Year. Collected by Marcus' friends and colleagues Erik K. Skodvin and Dave Kajganich, this release brings together music written and produced during Marcus' tenure as composer for the first season of the AMC anthology series The Terror, which told the story of th…
**300 copies, 2019 stock** Six years after his last album on Miasmah, Schattenspieler, it's great to find Marcus Fjellström resurrected after several long years spent composing his audio-visual opera Boris Christ. Born out of shattered dreams and an obscured vision of the future, Skelektikon is a delirious yet lucid exploration of the farthest and most conflicted reaches of the heart, teeming with confusion, passion, and ghostly shadows. Being no conventional composer in any way, Marcus stumbles…
**300 copies, purple vinyl** In 2010, Swedish composer and multimedia artist Marcus Fjellström's debut Miasmah release followed two critically acclaimed full length albums on Lampse (2006's Gebrauchsmusik and 2005's Exercises In Estrangement). In addition Marcus has had several commissioned works requested, leading to him working with, among others, the Swedish Royal Ballet, the Scottish Chamber Orchestra, numerous ensembles, soloists and filmmakers including Salad Fingers creator David Firth. F…
**300 copies** Marcus Fjellström's second album Gebrauchsmusik, initially released a decade and a half ago, is a bizarre sound document that deserves a closer look. Listening back to it now only re-confirms the unique mind of the Swedish composer, who sadly died in September 2017, only 37 years old. Gebrauchsmusik is German for 'Utility Music', and his second excursion into post-classical experimentation is exactly that; thirteen tracks with each one written to suit a certain theme. War, art, fe…
**300 copies** Exercises in Estrangement is Marcus Fjellström's first album, initially released a decade and a half ago. Listening back to it now only re-confirms the unique mind of the Swedish composer, who sadly died in September 2017, only 37 years old. Marcus was an avant-garde composer and audiovisual artist exploring the edges of classical music. The word "classical" here means nothing in the usual sense, as he would bend the rules to his liking - and hence create a completely own sound th…