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2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. M.B.'s recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation i…
2014 repress, originally released in 2000. Private LP edition of 300 copies in 1984. This record is the soundtrack to a film with the same title, produced and directed by Maurizio Bianchi. For obscure reasons, the original LP remained unavailable for a long time, and was distributed only one year after it was printed. Moreover, most of the copies were destroyed. Less than 100 actually exist. This was M.B.'s last vinyl production, and also the only one featuring recordings of the artist's…
2014 repress. Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "bionic music." Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analyzed under the microscope. This CD also includes excerpts …
2014 repress. The second batch of the complete M.B. reissue program continues, once again issued by EEs'T (in conjunction with Alga Marghen) as a series of five separate CDs, or altogether as a box set. The CDs have been mastered to digital under the supervision of Maurizio Bianchi himself; each CD features the original artwork, the complete documentation (liner notes, reviews, statements) as well as bonus tracks. Reissue of a private LP edition of 300 copies in 1983. M.B.: electronics, rh…
"Originally issued as a private LP in an edition of 400 copies in 1983. MB de-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation cas…
The very first new recording from Maurizio Bianchi (MB) since his decision to quit the arena of sound in 1984. Yes, he's back, the world-wide recognized master of apocalyptic electronics has decided to come back to music, opening up a new phase for his creativity.
Italian composer maurizio bianchi (1955) produced his first tapes of noise in the early 1980s, at the peak of the industrial scene, but his chaotic dissonant orgies harked back to the musique concrete of the 1950s, despite similarities with Nocturnal Emissions, Metabolist, Whitehouse, early Throbbing Gristle.
Menstrualrecordings is proud to start it's activities with the album by the Italian underground legend and Industrial-Noise Music pioneer Maurizio Bianchi (M.B.). 'Dysmenorrhoeic dissonances for floating keyboards, diagnostic modulations and absorbent strings, discharged during the autumn of 2005.' Edition of 300 numbered copies in handmade tri-fold cardboard sleeve with pasted photograps and handstamped MB logo. Edition of 278 numbered copies in handmade tri-fold cardboard sleeve with three pas…