Marion Brown (1931 to 2010) was an American alto saxophonist, composer, writer, visual artist and ethnomusicologist, an enigmatic figure of the 1960s and 1970s avant-garde who balanced the cerebral with the spiritual. He arrived in New York from Georgia and was quickly at the centre of the new music, playing on John Coltrane's Ascension (1965) and alongside Archie Shepp and John Tchicai.
Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.
Completely wonderful album from pianist Dave Burrell and reedman genius Marion Brown on alto. Recorded at the Black Musicians’ Conference, University of Massachusetts Amherst, Massachusetts, 10th April, 1981.
Marion Brown (1931 – 2010) was an American jazz alto saxophonist and ethnomusicologist. He is most well known as a member of the 1960s avantgarde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane’s landmark 1965 album “Ascension”, and around 1970, he provided the soundtrack for Marcel Camus’ film “Le temps fou”, featuring Steve McCall, Barre Phillips, Ambrose Jackson and Gunter Hampel. In 1976 he played alto s…
"No free music here but probably the most lyrical, warm, melanchonic and sophisticated playing by Mr. Brown, unreleased stuff recorded at the legendary Funkhaus, live!" ~Punzmann. Marion Brown - alto sax, Brandon K. Ross - guitar, Jack Gregg - bass, Steve McCraven - drums. Limited to 30 copies only with paste-on cover, so order fast!
A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.). Part of the magic of jazz in New York City is groups of musicians coming together for brief engagements and then moving off into other groups and configurations, leaving fond memories but little recorded evidence of their existence. The Group was a very talented amalgam of musicians, veterans of the free jazz and loft scenes: Ahmed Abdullah on trumpet …