Marion Brown
Enigmatic genius of the avant-garde jazz movement of the 1960s & '70s, balanced the cerebral with the spiritual. Marion Brown (1931 - 2010) was an American jazz alto saxophonist, composer, writer, visual artist, and ethnomusicologist. He is best known as a member of the 1960s avant-garde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai.
Enigmatic genius of the avant-garde jazz movement of the 1960s & '70s, balanced the cerebral with the spiritual. Marion Brown (1931 - 2010) was an American jazz alto saxophonist, composer, writer, visual artist, and ethnomusicologist. He is best known as a member of the 1960s avant-garde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai.
Three For Shepp to Gesprächsfetzen „Revisited“
"Marion Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Archie Shepp’s closing “Delicado,” though compelling,are relatively orthodox expressions of mid 1960s NewThing. The four tracks they bookend, however, are distinctive even today. Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sand…
Creative Improvisation Ensemble
Creative Improvisation Ensemble captures the meeting of two avant-garde giants, Marion Brown and Wadada Leo Smith, on May 12, 1970 in Paris, France. The session finds Brown and Smith on their primary instruments, alto saxophone and trumpet respectively, with both musicians performing various percussion instruments as well. The release marks the latest edition of Org Music’s Freedom Records reissues series, mastered for vinyl by Dave Gardner and pressed at Pallas Group on transparent red audiophi…
Vista
Saxophonist Marion Brown ended his '70s stint at Impulse! Records with this serene and colorful album. It features musicians such as drummer Ed Blackwell and bassist Reggie Workman, plus Stanley Cowell on acoustic piano and Fender Rhodes. While Brown wrote the blissful coaster Vista, the five other compositions are well-chosen, starting with an inviting version of Cowell's "Maimoun" and an impressionistic and deeply meditative take on Stevie Wonder's "Visions".
Songs Of Love And Regret
Recorded on November 9 and 10, 1985, at Gimmick Studio, Yerres, France Digital mastering at Translab Studios, Paris
Esp-Disk
*In process of stocking. 2022 stock* In October 2018, Steve Holtje, the mastermind of the pioneering American music label ESP, was invited by the 8th OCT-LOFT International Jazz Festival to give a lecture in Shenzhen entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", unveiling the label for the first time to Chinese The talk was entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", and unveiled the myste…
The Pavilion of Dreams
**Repress** For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces…
Le Temps Fou - Musique du Film de Marcel Camus
In September 1968, Marion Brown, who moved to Europe two years earlier, recorded the soundtrack of the movie by Marcel Camus entitled 'Le Temps Fou' in the legendary Parisian studio Davout. The movie starring Nino Ferrer was released in 1970 under the title 'Un Été Sauvage'. Soon fallen into oblivion, 'Le Temps Fou' was printed in very few copies by the French arm of Polydor and is almost impossible to find in its original pressing. Finally, more than fifty years later, Le Tres Jazz Club has bro…
Why Not? Porto Novo!
Reissuing two essential albums from saxophonist Marion Brown--Why Not? (ESP, 1968) and Porto Novo (Polydor, 1969)--the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.
Capricorn Moon To Juba Lee
Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.
Three For Shepp
In 1966, when Marion Brown was ready to make his first record as a leader, he was standing on the shoulders of giants. Formative associations with Ornette Coleman and Sun Ra established Brown as a saxophonist to watch, and he had already appeared on free jazz landmarks Archie Shepp's Fire Music and John Coltrane's Ascension. Originally released on Impulse!, Brown's debut lays down three startling originals and three tunes by Shepp – echoing his mentor's 1964 homage to Coltrane, Four For Trane. …
Live at the Black Musicians' Conference, 1981
Completely wonderful album from pianist Dave Burrell and reedman genius Marion Brown on alto. Recorded at the Black Musicians’ Conference, University of Massachusetts Amherst, Massachusetts, 10th April, 1981.
Five Improvisations
Marion Brown (1931 – 2010) was an American jazz alto saxophonist and ethnomusicologist. He is most well known as a member of the 1960s avantgarde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane’s landmark 1965 album “Ascension”, and around 1970, he provided the soundtrack for Marcel Camus’ film “Le temps fou”, featuring Steve McCall, Barre Phillips, Ambrose Jackson and Gunter Hampel. In 1976 he played alto s…
Live at Funkhaus 1977
"No free music here but probably the most lyrical, warm, melanchonic and sophisticated playing by Mr. Brown, unreleased stuff recorded at the legendary Funkhaus, live!" ~Punzmann. Marion Brown - alto sax, Brandon K. Ross - guitar, Jack Gregg - bass, Steve McCraven - drums. Limited to 30 copies only with paste-on cover, so order fast!
Live
A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.). Part of the magic of jazz in New York City is groups of musicians coming together for brief engagements and then moving off into other groups and configurations, leaving fond memories but little recorded evidence of their existence. The Group was a very talented amalgam of musicians, veterans of the free jazz and loft scenes: Ahmed Abdullah on trumpet …