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There is something disarming about the world conjured in Stain Ballads. Martin Arnold creates music for Apartment House that settles into the ear with an air of deceptive simplicity: four extended works - “Lutra,” “Stain Ballad,” “Trousers,” and “Slip” - move in slow, off-center arcs, each clothed in a soft-edged lyricism that never quite settles into resolution. Arnold’s notion of a “stain” isn’t merely suggestive of the accidental, but proposes a form where contour and color are indivisible. H…