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Four works from 2012 to 2021 by Martin Bédard, two of them co-written with the flutist Marie-Hélène Breault, from the honey metaphor of Honey to a recomposed flute warm-up and Replica, built from her old recordings.
Five acousmatic works by Martin Bédard from 2004 to 2012 rooted in places, from the cells of Québec City’s old jail and the city’s archaeological digs to trains, a night watchman’s rounds and the 1907 collapse of the Québec Bridge.