MP Hopkins
Coupla Triples
*200 copies* Coupla Triples is a collection of two recordings made by MP Hopkins in 2014. The first piece, Spins, Groans, Tones, was previously self-released as part of a CDR/chapbook edition, while the second piece Waves, Feedback, Thoughts, has remained unreleased until now. Both pieces were created using a simple compositional method, in which random word prompts were selected from a list of sounds and ‘interpreted’ in an immediate manner with only basic recording equipment - a microphone, a …
Misting
Nice Music presents 'Misting' the first solo full length from MP Hopkins since 2016 and his debut release for the label.
Hopkins' solo work to date via the likes of Regional Bears, Penultimate Press and Thalamos fitfully caresses tape collage, found sound, speaker feedback and electroacoustic techniques. 7 years on from 'Blue-Lit Half Breath', 'Misting' immediately arrests with vibrant frequency and fidelity, yet no less fidgety or labyrinthine in its crypticised patterns of non-literal investig…
The Divine for Me Is Whatever Is Real
** Edition of 80 ** Alexandra Spence and MP Hopkins are sound makers living and working on Gadigal land in Sydney, Australia. Using foil, flutes, tuning forks, tones, tapes, tiny bananas, stones, mouths + more, their work explores the spatial and sculptural elements of a practice in experimental sound. Their debut release, The Divine For Me Is Whatever Is Real, was recorded on the cusp of Spring one evening in 2020, at Tempe Jets; a disused sports club hall in Sydney. During this session, a stat…
Disfigured With Abbreviations
Edition of 250. Debut recording from two troubadours of oppositional creep, MP Hopkins and Mark Harwood. Inspired by Philip K. Dick and the useless machines that haunt us all, Disfigured With Abbreviations is a roundtable exquisite corpse which crawls through a miraculous environment, at once sensual and sinister. How is it that the perpetual promise of a future lands us in a deeper quagmire? How do two gentlemen with scruffy vocabularies fall into a sonic landscape of such haunted beauty? Follo…
G.R/S.S
A full length LP by the eminent Australian sound artist Matthew P Hopkins. The first side "The Gallery Rounds" consists of three pieces which were assembled from field recordings made at various art galleries, museums, and other institutional buildings. The raw materials captured at these sites was not focused on particular artists, or kinds of artwork, but rather, on various unintentional combinations: outside traffic and construction work blending with the sounds of videos and kinetic sculptur…
Calls
Calls presents 11 improvised pieces recorded on a reel-to-reel machine throughout 2015 and 2016. Employing a mixed bag of source material and a half drafted vocal approach, these 11 tracks explore the notion of ‘contact calls’,which are irregular, non–specific sounds many social animals make to maintain contact within a group. The group in this instance includes more than just other members; an expanded cast of objects, figures, nature, and works of art act as the recipients of these calls. Ther…
Fog Study
An inner study of fog. A slow descent through a hazy interior lined with various horns, scraps of breath, looped feedback, and layers of tape hiss.
Matthew P. Hopkins (Australia, 1978) is an artist based in Melbourne, working with sound, visual art, and writing. His audio work sits loosely within the realm of concrete music.
Blue-Lit Half Breath
Matthew P. Hopkins second full length release for Penultimate Press presents a curious and compelling listen which harnesses his deeply personal and paranoid vision into the ultimate beauty/horror object. Over the last decade Hopkins has distinguished himself as master of multiple musical forms including bent song, freeform concrete, improvised electronics and techno. Under his own name he has produced a most singular take on abstracted voice, feedback, field recordings and found sounds. With Bl…
Vent
Matthew P Hopkins has established himself as a formidable presence in the experimental circuit courtesy of a diverse range of projects including Naked on the Vague's debased rock, Half High's blurred dreams and Four Door's take on techno. Penultimate Press is proud to reissue Hopkins' second solo effort originally issued as a micro edition self released cdr. 'Vent' proposes a Frankenstein assemblage of the awry ambience heard on the recently acclaimed 'Nocturnes' lp merged with a more extreme t…
Nocturnes
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…