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A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…
Another highly collectable Nathan Davis release on SABA, also recorded in 1965, ‘Happy Girl’ has remained unissued on vinyl since the 1960s. The date gathers together another top drawer line-up, with Woody Shaw on Trumpet and Larry Young, the Coltrane of the organ, uniquely found on piano for this session. Jimmy Woode again supports on bass, with a furious Billy Brooks on drums. ‘Theme From Zoltan’, a fierce modal original by Shaw, was recorded by Young the following year on his classic Blue Not…
Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side …
Exact LP repro edition A grey-area edition of the legendary 1967 modal masterwork by one of the greatest unsung jazz pioneers of the 20th century. A ture lost underground jazz classic from the late '60, filled with long, flowing tunes that have tremendous modal energy and a very cohesive feel. Backtracking a little, Nathan Davis was born in 1937 in Kansas City, Kansas and attended the University of Kansas in Lawrence before shipping off to military service in Germany in 1960. After being dischar…