*100 copies limited edition* The Smoothing presents as a highly contemporary collection, bringing together murmured field recordings, processed guitars and blurred electronics in a way that unites the outer edges of Hype Williams, John T. Gast’s Gossiwor project, Thomas Bush and The Dengie Hundred, but mostly sounds like the formation of its own internal universe. There is a very murky version of London that is being summoned here, almost certainly translated from a small room late at night, bot…