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"All lovers of free improvised music know them well saxophonist Paul Dunmall one of the fathers of the British free impro scene, Tobias Delius one of the Old Continent's most respected saxophonists and clarinetists and the marvelous rhythm section of…
2024 stock. When the stage is soaked with gasoline, a simple spark of sound from one of them will be needed to blow everything up in the air. That fleeting moment, which barely lasts as long as it takes a note to emerge from the sax, a double bass st…
Eddie Prévost, a preeminent musician in the UK improvised music scene and founding member of legendary AMM, might be equally renowned for his generous, decades-long mentorship. Both talent and Prévost’s mentorship are on display in this new album, Th…
A suite of four new compositions from Johnny Hunter, performed beautifully, stylishly, and most creatively by this trio of great players. The music treads a fine line between free jazz and free improvisation, areas where these musicians live easily a…
*In process of stocking* Freely improvised music for baritone saxophone and double bass. Cath Roberts and Olie Brice found an escape from the musical isolation of lockdown with the amazing discovery that it was possible to play (and record) online in…
*2022 stock. In process of stocking.* This is an outstanding hour or so of improvised music that beggars belief that this was only the second performance by this particular line up. The first was on 02/02/2020, and the first palindrome, and this conc…
*In process of stocking* Quartet, the masterful grouping of Rachel Musson on tenor sax, NO Moore on electric guitar, Olie Brice on double bass and Eddie Prévost on drums, an improvising ensemble of wonderfully unpredictable momentum, from passages of…
*2022 stock* “exceptionally huge stylistic variety, marvellous and impressive instrumentation and evocative musical language ... remarkable, bright, intensive and original ... creatively made by two innovative and original improvisers.” — Avant Scena…
"Mikolaj Trzaska (pronounced "Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has f…