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"A carefully thought out, simple, clean but rich performance using really almost nothing, just a turntable, teach yourself foreign language LP’s, the impeccable timing of a percussionist, and an idea. With the intense focus of a scientist fed up with pointless repetition, Pascal Le Gall takes a scalpel to composition, improvisation and performance, and (with the most basic means) examines their sameness, and their miniscule but important differences. A riveting public dissection, his performance…