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Robin Fox

A Small Prometheus
Robin Fox follows his 2010 solo album A Handful of Automation (DEMEGO 012LP) with A Small Prometheus, a significant work that exposes a very different audio-world to that previously encountered. In time since A Handful of Automation, Fox has been highly active with his widely acclaimed RGB (red green blue) laser show along with a collaboration with Atom TM (Double Vision), which premiered at Unsound Festival in 2014. A Small Prometheus was developed as a soundtrack to a dance work of the same na…
Connected
Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production. 'Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital…
More Impossible Futures
It seems that Bocian Records only releases 7"s these days and that they have a soft spot for improvised music from down under. Following Sean Baxter's 7" from a month ago, here is Robin Fox, an improviser from the world of electronic music, playing laptop and on one side entirely EMS VCS3. Two pieces that sound hardly improvised, but more composed. The 'More Impossible Futures' on the a-side is a more introspective piece of various layers of electronics sounds, which are put together in a rather…
A handful of automation
First solo audio only release by Melbourne based sound and laser artist Robin Fox and first solo release since the mind melting 'Backscatter' DVD on Synaesthesia (2005). Taking time out from his duo with Anthony Pateras, 'A Handful Of Automation showcases Fox's unique and highly individual take on the usually misunderstood Extreme Computer Music genre, and is a pleasurably disorientating ride. Alongside chaos trips such as 'Boundary Layer Skin Friction' and the stunning title track, sit b…
End Of Daze
Robin Fox: Computer, Controllers, ARP 2500, Programming. Anthony Pateras: Computer, Doepfer A-100, Voice, Revox B-77. All tracks recorded at Chinatown Studios, Brunswick. Mixed and mastered at Wilkinsound, West Footscray, Melbourne, Australia, 2008. ARP 2500 materials in Rupture recorded at WORM, Rotterdam. The first cabs off the Editions Mego rank in 2006, Pateras and Fox return with their third shredding album of Antipodean-blasted bliss that will get even the darkest of doomlords crawling out…
Substation
Apart from being recognised as two of Australia's leading improvising musical forces, Clayton Thomas and Robin Fox are also acknowledged for their unrelenting experiments and divergent acoustic approaches in relation to their instrument of choice. Over the past 3 years, Robin Fox has developed some of the most powerful live processing tools in Australia through his research with MAXMSP. Clayton Thomas on the other hand has expanded his performance styles, moving between blistering free jazz expl…
Coagulate
Coagulate is the debut release from electroacoustic improvisation duo Anthony Pateras & Robin Fox. Utilizing a diverse array of approaches and forms, this album presents incredible real-time mutations of acoustic and electronic resources fused by a chaotic and physical improvisational language. From discarded piano frames to feedback to ingested microphones to vintage synthesizers, resources are combined, deconstructed, developed and devastated through both linear and non-linear trajectories. Os…
Flux compendium
Ectoplasmic drool, ruptured voice, multi-temporal cash, concerti for nostrils, hyperactive excursions into comedy and violence. An aural textbook of constant change presenting a multi-dynamic evaluation of what may be possible with what we have at this point. Equal parts postwar beard and modern patchnocrat, Flux compendium sees two of Melbourne's hairiest sons nose dive and writhe in their unique take of sonic totalism, rising out of the muck with their kaleidoscopic best. Far from the lifeless…
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