We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
**Edition of 300. LP picture disc replicating the multi-colored circular scores; housed in a black die-cut sleeve with liner notes on the rear side** Robin Hayward (b. 1969 in Brighton, England) is a tuba player and composer based in Berlin. Since the 1990s, he has been concerning himself with experimental and radical playing techniques on brass instruments, initially through the discovery of the "noise-valve", later through development of the first fully microtonal tuba in 2009. In 2012, he inv…
Microtonal articulations and noise concretions form the expressive stylistic elements of this extremely organized network of audio emergencies. They include the spurious frequencies apparently produced by hissing devices and the hypnotic patterns with almost industrial textures that have been calibrated according to mechanical envelopes. In “State of Rushing” it does not seem immediately evident that these sounds are the result of manipulating traditional instruments, such as the tuba.
Just attr…
Edition of 300 numbered copies fullcolour Picture LP. Robin Hayward (microtonal tuba) and Christopher Williams (contrabass) performing "Borromean Rings" might be compared to playing a board game such as chess. Notation is used to define a field of possible moves for navigating within harmonic space. Unlike chess however the idea is not to overcome the other player, but rather to challenge them to explore continually fresh avenues within the harmonic framework laid out by the score.
The cassette showcases two contrasting explorations of the microtonal tuba. On side A, Rubble Master explores noise production, with the lips and tongue acting as noise generators which are filtered using half-valve techniques. On side B, Underground Music uses live-electronics to simulate the movement of two related tunings moving in opposite directions, like trains through the abandoned underground station in which the piece was premiered.
Robin Hayward plays microtonal tuba in Catherine Christer Hennix's ensemble and Stop Time is his first composition to be released on Important Records. Stop Time was commissioned for a festival of the same name taking place in Leuven in 2013. It is the first piece to use a subset of the three-dimensional physical version of the Hayward Tuning Vine, invented in 2012, as a musical score. The harmonic space implied within the four cubes contained within the subset, based on prime numbers two (octav…
The tuba player and composer Robin Hayward has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve', and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, initially as a visualisation of the harmonic space implicit within the microtonal tuba. Collaborations include such musicians as Roberto Fabbriciani and Charles Curtis, along with composers such as Christian Wo…
Roberto Fabbriciani, bass flutes. Robin Hayward, microtonal tuba. 'This is the first CD of improvised music featuring Roberto Fabbriciani, one of the giants of contemporary music. Fabbriciani was the instrumentalist with whom Luigi Nono worked most closely in the last two decades of his life, playing in the premieres of virtually all of the composer's late works. On nella basilica Fabbriciani improvises with Robin Hayward, the phenomenal Berlin-based tuba player with whom he has worked on …
LAST COPIES, NOW DELETED - special priced first solo release by the Berlin-based tuba player. 'Though not specifically about the tuba, the three pieces presented here reflect particular ways of regarding the instrument. Whereas in the first two pieces, Dial and Coil, it is viewed as a labyrinth of tubing within which air may be trapped and redirected, in the final piece, Valve Division, it is seen as a collection of individual tube lengths, tuned to one another by positioning the valve slides in…