Sebastian Lexer
Muddy Ditch
Sebastian Lexer (piano+) and Steve Noble (drums and percussion) first played together in the winter of 2011 and what seemed like an unlikely, even oppositional, pairing quickly proved itself to be an extremely well-matched one. Noble\'s sharp vertica…
The Fog
Recorded a couple of years ago at the INTERLACE concert series at Goldsmiths College in London, The Fog is a great showcae of Lexer's and Kasyansky's duo performances. Albeit a short piece, it doesn't lack in intensity nor inventiveness, in fact, it'…
Tri-Borough Triptych
Hearing Evan Parker make music with Eddie Prévost, on the first of these three lengthy duets recorded in three different London boroughs, is like watching a pair of tai chi masters sparring. Parker’s tenor and Prévost’s bowed and struck percussion…
Luftwurzeln
Old and new. This new CD on Matchless by Sebastian Lexer and Christoph Schiller keeps bringing these opposite ends of a spectrum to mind. If Schiller has taken an old instrument, a spinet, and approached it in new ways, then so has Lexer, whose Pi…
Impossibility In Its Purest Form
Percussionist Eddie Prévost not only co-founded the British improvising collective AMM more than 45 years ago, he is its chief annotator and its sole consistent member. With these dual roles he has both explained the aesthetic, political and ethic…
Lost Daylight
'The compositions on Lost Daylight' by John CAGE and the almost-forgotten American Fluxus composer Terry JENNINGS date from between 1958 and 1966. Yet in the hands of John Tilbury and Sebastian Lexer they sound astonishingly modern. JENNINGS' solo pi…
Dazwischen
Sebastian Lexer piano +. Recorded at the Electronic Music Studios, Goldsmiths, University of London on 16th November 2008. Max/MSP programming, recording and mastering by Sebastian Lexer. Notes by Eddie Prévost, Ian Stonehouse and John Tilbuy. Design…
Blasen
‘blasen’ is the first duo disc by two of the rising stars of London’s improv scene. Seymour Wright’s recent solo disc ‘Seymour Wright of Derby’ was rapturously received by critics and was described by Dan Warburton as “the best solo sax music I’ve he…