Seijaku
Launched in 2009, the band consists of Keiji Haino (guitar, vocal, etc.), Mitsuru Nasuno (bass), and Yoshimitsu Ichiraku (drums). If you had to describe their music in words, you might call them "an unimaginable blues band fusing Delta blues and Noh." They gave their first live performance on August 15, 2009, at Tokuzo in Nagoya. After that their sound changed significantly with each rehearsal and they developed a unique groove. It would be no exaggeration to say that Seijaku is home to real blues.
Launched in 2009, the band consists of Keiji Haino (guitar, vocal, etc.), Mitsuru Nasuno (bass), and Yoshimitsu Ichiraku (drums). If you had to describe their music in words, you might call them "an unimaginable blues band fusing Delta blues and Noh." They gave their first live performance on August 15, 2009, at Tokuzo in Nagoya. After that their sound changed significantly with each rehearsal and they developed a unique groove. It would be no exaggeration to say that Seijaku is home to real blues.
Last live
Long form twisted blues from the Japanese Seijaku Trio of Keiji Haino (guitar, voice, violin & flute), Mitsuru Nasuno (bass) and Yoshimitsu Ichiraku (drums), performing live at Club Goodman in Tokyo in 2012. The music is profoundly introspective and …
After Seijaku
The Seijaku Trio of Keiji Haino (electronics, guitar, voice), Mitsuru Nasuno (bass, electronics) and Yoshimitsu Ichiraku (electronics), recording 2 years after the "Last Live" album, in an epic voyage of meditative and intricate electronics performed…
Mail from Fushitsusha
Mail from Fushitsusha, which Keiji Haino himself calls 21st-century blues, draws out exquisite dynamics and 'space' - like a nerve being passed through the eye of a needle. Carrying out their sonic explorations while adhering to the Fushitsusha metho…
You Should Prepare To Survive Through Even Anything Happens
This is a real blues album created as an expression of devotion to 20th-century blues. But not blues as a style - the object of devotion here is the blues spirit. You might even say this album is the successor to authentic blues. Those who get it, ge…