Tachycardie
Musique pour structures sonores Baschet
After a triptych released by Un je-ne-sais-quoi, in barely 3 years, under the name Tachycardie, Jean-Baptiste Geoffroy, musician, composer but also visual artist, continues his very singular journey to the heart of sound matter, with an album composed on Baschet sound structures. From the 1950s, the Baschet brothers created a truly innovative set of instruments which has since fascinated musicians seeking new sound experiences. Both sculptures of glass, metal and instruments of great acoustic sh…
Autonomie Minérale
Tip! Autonomie Minérale is the apex of a triptych that sprang up in less than three years, with a feeling of urgency. There is nothing fortuitous about this name, “Tachycardie.” Jean-Baptiste Geoffroy, is a musician and a composer (Pneu, I N S T I T U T R I C E, La Colonie de vacances) as well as a plastic artist (InfraOrdinaire), and in this project he continues his very singular exploration of the depths of sonic matter. After Probables (2019) and Sommé-e (2020), his previous intuitions have d…
Nouvelles et Anciennes Pratiques de Cartographie Amateure
*Limited Edition of 300 copies.* Fortified by his collective experiences as a drummer and percussionist on the margins of free rock and improvisation - in Pneu, Papaye, Binidu or La Colonie de Vacances - Jean-Baptiste Geoffroy imagined Tachycardie, a project in which he initiates a paradoxically complex and raw vibratory art where rhythms and drones are born from matter and objects. For his third disc under his fluttering pseudonym, Geoffroy blurs the lines between compositions/improvisations an…
La Pompadour
Un je-ne-sais-quoi's first compilation, La Pompadour is a collection of 10 exclusive tracks, like a musical manifesto for sound experimentation.
Probables
On his first solo LP, Jean-Baptiste Geoffroy (the spectacular drummer of Pneu, Binidu, la Colonie de vacances among many other projects) explores a feild between contemporary music, minimalism and sound art.
Sommé-e
Many superb records by drummers exist already, but JB Geoffroy has no interest in simply following in the footsteps of Chris Corsano, Man Forever or Will Guthrie, all of whom he cites as touchstones,but in this case a drum record without drums is a a step into expanded percussion and wild sonic experimentation.