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On July 21st 2018, the third day of the 39th Konfrontationen Festival, Kaja Draksler played a blisteringly intense concert with the Peter Evans Quartet. The biggest surprise of the day, however, came a few hours later, when she joined forces with Dutchmen Ab Baars and Terrie Ex. The surprise was not the combination of these distinct personalities in itself. You could have seen that coming. The remarkable thing about it was the emotional pay-off and the sheer beauty of the performance. Like some …
Even in the wildly eclectic ICP catalog, this 66th release stands out. Absent are the ‘3 T’s’ (Tristan Honsinger, Tobias Delius, Thomas Heberer); instead, you get familiar guests (Joris Roelofs and Terrie Ex) and the musical direction of ICP co-founder Han Bennink. And then there is the setting: Le Brocope, a gallery, music venue, caférestaurant situated in a tiny village in Holland’s far North. An inspiring location that takes up a central role on Komen & Gaan. The ensemble begins by airing out…
Jaap Blonk (born 1953, Woerden) is a Dutch avant-garde composer and soundpoet. He is primarily self-taught, both as a sound artist and as a visual/stage performer. One of his early influences was Kurt Schwitters, whose Ursonate he first heard in 1979; he memorized the entire work, and it became one of the cornerstones of his repertory; he has recited portions of the piece hundreds of times in various public places. His performances of sound poetry are unique and world renowned, making use…
Terrie Hessels, electric guitar. Paal Nilssen-Love, drums & percussion. Limited to 300 copies only. Recorded live in concert on the 4th of April 2015 at Festival PiedNu, Le Havre, France. Recorded by Emmanuel Lalande. Mixed by Arnold de Boer. Mastered and cut to vinyl by Mike Grisner at D&M Berlin. Cover art and design by Marek Wajda.
A record that's every bit as great as you'd guess from the three artists billed on the cover -- raw guitar from Terrie Ex, offbeat alto sax from Brodie West, and some amazing percussion from the legendary Han Bennink! The record feels very free and improvised -- very much in the best spirit of other Ex/Bennink collaborations, but really taken to the next level with West's contributions -- played with a raw tone that really holds the whole thing together, and sends it back to almost ESP-l…