Ulf Herold
Hyper possibility
Is art artificial, is it a rhythm, or is it an algorithm—this is the question Ulf Herold poses, and the answer sounds rather affirmative: the two are not necessarily to be understood as opposites, but as dynamic counter-poles—this becomes evident in Herold’s four-track EP Hyper Possibility. The first track, “self generating piano,” offers an image in which the piano is played without “the master”, playing by itself. This sound is “artificial” insofar as no classical melodies can be found within …