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Warner Jepson

Warner Jepson was the composer for the [NCET] center after 1972; at first, he worked closely with the artists, putting sound to their tapes, but he has been experimenting all along with images of his own as well. Most of his imagery is generated by audio equipment that has been connected to the video gear. His idea is to make a work that is totally integrated aurally and visually. He feels the two should complement each other completely. The problem is to balance the work so that both visuals and audio are interesting.

Warner Jepson was the composer for the [NCET] center after 1972; at first, he worked closely with the artists, putting sound to their tapes, but he has been experimenting all along with images of his own as well. Most of his imagery is generated by audio equipment that has been connected to the video gear. His idea is to make a work that is totally integrated aurally and visually. He feels the two should complement each other completely. The problem is to balance the work so that both visuals and audio are interesting.

États-Unis Bundle II
**5LP Bundle with Tote Bag**Since its quiet beginnings back in 2011, the San Fransisco based imprint, Superior Viaduct, has come to hold a dominant place in the cultural landscape, stitching an intertwined narrative, crossing multiple genres, between…
Totentanz
Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** Considered as the first piece of electronic music to accompany a ballet, Totentanz is the arrestingly…
Totentanz and other electronic works 1958-1973
by far the most anticipated early-electronic music reissue around these parts since it was announced a year or so back ; this double-disc collection of just about everything by bay-area outsider / composer warner (ne “warren”) jepson, including his t…
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