Wilbur Niles and Thrust

Thrust barely made a blip in the marketplace; it was mostly available around the Akron area. But Niles was undeterred. He returned the following year with the just-as-good Thrust Too, which is a touch more muscular, more precise — partly due to being recorded in a slightly upgraded studio meant for jingles. What Thrust Too loses in atmosphere, it makes up for in deep grooves, like on “Hang Ten,” “Parrott City,” and “Machelle.” McNeal — the namesake of the latter — appears on the final track, “Su…