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Mental Groove presents a vinyl reissue Do Den Haag Church from France, repress of the band's now well known live recording in Den Haag, 2008. The recording is raw and the mastering is fat. The first two pressings made in 2014 and 2015 were distributed confidentially and during the numerous live performances of the band. This pressing features brand new artwork. "France is a French trio that uses drums, bass and amplified hurdy-gurdy. They only perform live, in the middle of the audience - turned…
Veteran library musician Alan Parker recorded with session vocalist Madeline Bell for his Themes International Music label and the result was 1976’s The Voice of Soul. The sensational uptempo dancer That’s What Friends Are For is probably the most well known track on the record, and is a big hit on the rare groove scene, but it is by no means an anomaly. The Voice of Soul is essentially a perfect, sophisticated soul album with heaps of swagger and sass from beginning to end. Its once generic-sou…
A new album of piano driven ambient music from British composer Robert Haigh. Following in the path of his albums for the Japanese Siren label, Creatures of the Deep is an underground vantage of a meeting between the musical worlds of Harold Budd and Erik Satie. With a storied musical career that has ranged widely in style — from his industrial-avant-garde works on Nurse With Wound’s United Diaries label as SEMA to his legendary ambient drum and bass records as Omni Trio on Moving Shadow — Robe…
'Marginal Invitation', 'Corrosions on the Surface of Life', 'Cloud Passade No. 3'. Comprised of three balanced examples of his Continuous Music technique on solo piano, Three Solo Pieces serves as perhaps the best introduction the Ukrainian-Canadian composer Lubomyr Melnyk yet available. 'Marginal Invitation' is a subdued work with a deeply rooted melodic sensibility that is rich in overtones, while 'Corrosions on the Surface of Life' exhibits a dissonant fury of patterned note play. The final, …
LP version. Unseen Worlds presents new recordings of solo piano pieces by Ethiopian composer Girma Yifrashewa, the first release of Yifrashewa's music outside of Africa. Born in Addis Ababa in 1967, Girma Yifrashewa is a worthy new torchbearer of African pianism. His highly personalized approach to the piano likens him to Ethiopian composer Emahoy Tsege Mariam, while his use of Ethiopian pentatonic scale within the Western Art Music format places his compositions in conversation with more academ…
Rahsaan Roland Kirk's live club gigs were usually engaging, freewheeling affairs, full of good humor and a fantastically wide range of music. The double album Bright Moments is a near-definitive document of the Kirk live experience, and his greatest album of the '70s. The extroverted Kirk was in his element in front of an audience, always chatting, explaining his concepts, and recounting bits of jazz history. Even if some of his long, jive-talking intros can sound a little dated today, it's clea…
"From the inheritor of John Coltrane's mouthpiece a re-integration of deep South African jazz roots with the Black Atlantic spiritual jazz continuum. Celebration's release trumpeted the emerging dawn of South Africa's epochal changes. Sainted and blessed, Bheki Mseleku appeared as the herald of a new era, a prophet of rebirth and reconnection. This is a work signalling change, a sign of a South African music that was properly reconnected with global currents. Recognizing Bheki as a kindred spiri…
Herbert Eimert was a German music renaissance man, with his expertise ranging from theory to composition, editing, radio production, and criticism. He wrote numerous books on music theory, worked for years at the British occupational forces run Nordwestdeutscher Rundfunk. It was there in 1951 that he established a studio for electronic music that he ran until 1961, which hosted recordings from Stockhausen, Xenakis, and Cornelius Cardew, among others. This brilliant work begins on side A with 'Ep…
**small repress available, clear vinyl edition** Fantome Phonographique present a reissue of Jean-Jacques Perrey's Prélude Au Sommeil, originally released in 1958. Jean-Jacques Perrey was one of the earliest innovators in electronic music, creating a body of work spanning decades that has influenced everyone from Brian Eno to The Beastie Boys. One of the pioneers of musique concrète and electronic tape manipulation, Prélude Au Sommeil ("Prelude to Sleep") is Perrey's debut recording but shows a …
“Belzebu” was originally released in 1983 and it had absolutely no context in the Portuguese music scene. Telectu duly complain about that in the xerox presentation included with the album, but their idea was never to make things easy anyway. Jorge Lima Barreto (JLB) was very active in the avant-garde and jazz scenes (he recorded a ground-breaking AnarBand LP in 1977 together with Rui Reininho, later to assume lead vocals in the pop band GNR) and his uncompromising attitude and leftist leaning d…
Last copies, don't sleep. It's a new year. What better way to to kick it off than with some incredible sounds from a not too distant past, via Fern Recordings. Since launching during the middle 2000s, the Paris based imprint has shown an incredible dedication to under-celebrated efforts of underground sound, offering particular focus to works of field recording, experimentalism, and drone. Their latest release, a long overdue reissue of Small Cruel Party's legendary Resin, Parched, Chthonic, ori…
LP version. Includes CD. The artists: Hans-Joachim Roedelius (piano), Onnen Bock (piano), Armin Metz (piano). The music: minimalist, spherical sounds by three grand pianos. Introverted, minimalist "classical" music has reached full bloom as devotees of the neo-classical movement flock to see the likes of Nils Frahm, Ólafur Arnalds, and Chilly Gonzales. One pioneer of the resurgence in minimal piano music is Hans-Joachim Roedelius, best known as a member of the avant-garde electronic combo Cluste…
Hey there, looking for a healthy dose of electrocution? We got it right here! Two titans of noise, Pain Jerk (aka Kohei Gomi) and John Wiese, continue their trans-Pacific affairs. While the previous episodes have been mail collaborations with Mr. Wiese at the helm, this studio live session has a more distinct Pain Jerk flavor to it (and is a tasty aperitif for his yet-to-appear new studio material). A vivid amalgam of vintage analog synthesizers, classic noiselectronics and DSP, at less than 18 …
Original 1985 LP, few copies available and of course long out of print "Canadian electro-acoustic music composer Barry Truax (b1947) studied with R. Murray Schafer and was a member of the latter’s World Soundscape Project, helping record soundscapes around the Vancouver area as early as 1973 and subsequently using sounds from this collection in his own compositions. Truax launched his own label, Cambridge Street Records in Vancouver, 1985. Several features on ‘Sequence of Earlier Heaven’ sound f…
Blue Chemise documents the hermetic sound world of Australia's Mark Gomes. Daughters Of Time follows 2017's brilliant full-length Influence On Dusk, released in micro-edition on Gomes's own Greedy Ventilator imprint. It is an elegiac set of vignettes recorded straight to dictaphone with minimal post-production. These pieces function in a manner akin to Loren Connor's evocative "airs", conjuring poignant, intangible senses of longing and nostalgia then disappearing well before overstaying their w…
The quartet of Ian Carr, Jeff Clyne, John Stevens and Trevor Watts - encounter here in their only recorded document, is among the most important gestures in the history of British free jazz. Issued in 1969, but recorded three years earlier, Springboard offers a window into the origins of an entire movement - the flowering of change within a music in geographies not its own. Free jazz always had a more receptive audience in Europe than in America. It’s not surprising that indigenous realisations…
Another evolution of Urban Sax concept, composed and directed by the visionary composer Gilbert Artman, conceived as a double quintet of talented multi-instrumentalists (featuring Jac Berrocal, Bernard Weber, Frederic Acquaviva and Emiko Ota among others) players working over a compositonal control of sound spatialization
180 gram audiophile vinyl. 2015 Release. Shooting at the Moon (1970) is the second solo album of Kevin Ayers. The LP first hit store shelves in October 1970 and featured Kevin with a new band backing him; “The Whole World.” Which featured Kevin on Guitar, Bass and Lead Vocals, Mike Oldfield on Bass and Guitar, Mick Fincher on Drums and Percussion, Lol Coxhill on Saxophone and David Bedford on Keyboards, whom also featured on Joy of a Toy. Robert Wyatt also makes an appearance in “Colores Para De…
"Cat's Squirrel is a live recording of Masami Akita and Oren Ambarchi's performance in Campbelltown, Australia in May 2012. Although Akita and Ambarchi have known one another since 1993 and performed together as part of larger ensembles, this was their first performance as a duo. Together they create a massive wall of sound that moves from the cavernous to the blisteringly psychedelic, laying down shifting low-end structures over which pointillist details ricochet across the stereo field. Akita …
2018 small repress. LP version. "Following on from 2012's acclaimed Imikizushi (BT 007CD/LP), Now While It's Still Warm Let Us Pour in All the Mystery is the fourth release from the established power trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi, recorded in January 2012 at their yearly concert at SuperDeluxe, Tokyo. While the trio's two previous double LP releases featured sprawling, side-long performances, the music here is presented in six shorter pieces, each one displaying a differen…